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ORCID2nd ICCC 2011: Mexico City, Mexico
- Dan Ventura, Pablo Gervás, D. Fox Harrell, Mary Lou Maher, Alison Pease, Geraint A. Wiggins:
Proceedings of the Second International Conference on Computational Creativity, ICCC 2011, Mexico City, Mexico, April 27-29, 2011. computationalcreativity.net 2011, ISBN 978-607-477-487-0 - Michael Cook, Simon Colton:
Automated Collage Generation - With More Intent. 1-3 - Fahrurrozi Rahman, Ruli Manurung:
Multiobjective Optimization for Meaningful Metrical Poetry. 4-9 - David Norton, Derrall Heath, Dan Ventura:
Autonomously Creating Quality Images. 10-15 - Adam M. Smith, Michael Mateas:
Knowledge-level Creativity in Game Design. 16-21 - Tony Veale:
We Can Re-Use It For You Wholesale: Serendipity and Objets Trouvs in Linguistic Creativity. 22-26 - Arne Eigenfeldt, Philippe Pasquier:
Negotiated Content: Generative Soundscape Composition by Autonomous Musical Agents in Coming Together: Freesound. 27-32 - Brian Magerko, Peter Dohogne, Daniel Fuller:
Shared Mental Models in Improvisational Digital Characters. 33-35 - Rob Saunders:
Artificial Creative Systems and the Evolution of Language. 36-41 - Alexander Zook, Mark O. Riedl, Brian Magerko:
Understanding Human Creativity for Computational Play. 42-47 - Karen Ang, Sherie Yu, Ethel Ong:
Theme-Based Cause-Effect Planning for Multiple-Scene Story Generation. 48-53 - Brandon Robert Tearse, Peter A. Mawhorter, Michael Mateas, Noah Wardrip-Fruin:
Experimental Results from a Rational Reconstruction of MINSTREL. 54-59 - Kristine Monteith, Virginia Francisco, Tony R. Martinez, Pablo Gervás, Dan Ventura:
Automatic Generation of Emotionally-Targeted Soundtracks. 60-62 - Rafael Pérez y Pérez, Otoniel Ortiz, Wulfrano Luna, Santiago Negrete, Vicente Castellanos-Cerda, Eduardo Peñalosa, Rafael Ávila:
A System for Evaluating Novelty in Computer Generated Narratives. 63-68 - Keith McGreggor, Maithilee Kunda, Ashok K. Goel:
Fractal Analogies: Preliminary Results from the Raven's Test of Intelligence. 69-71 - Alison Pease, Simon Colton:
Computational Creativity Theory: Inspirations behind the FACE and the IDEA models. 72-77 - Patrick Summerhays McNally, Kristian J. Hammond:
Picasso, Pato and Perro: Reconciling Procedure with Creativity. 78-83 - Roger B. Dannenberg:
A Vision of Creative Computation in Music Performance. 84-89 - Simon Colton, John William Charnley, Alison Pease:
Computational Creativity Theory: The FACE and IDEA Descriptive Models. 90-95 - Cameron Browne:
Towards MCTS for Creative Domains. 96-101 - Anna Jordanous:
Evaluating Evaluation: Assessing Progress in Computational Creativity Research. 102-107 - Dan Ventura:
No Free Lunch in the Search for Creativity. 108-110 - Pablo Gervás:
Dynamic Inspiring Sets for Sustained Novelty in Poetry Generation. 111-116 - Pol Pla, Patricia Maes:
Bimba: Sensor Embedded Balls for Creative Sound Generation. 117-119 - Tony McCaffrey, Lee Spector:
How the Obscure Features Hypothesis Leads to Innovation Assistant Software. 120-122 - Kristin Carlson, Thecla Schiphorst, Philippe Pasquier:
Scuddle: Generating Movement Catalysts for Computer-Aided Choreography. 123-128 - Adam M. Smith, Michael Mateas:
Towards Knowledge-Oriented Creativity Support in Game Design. 129-131 - Kazjon Grace, Rob Saunders, John S. Gero:
Interpretation-driven Visual Association. 132-134 - Tobias Kötter, Michael R. Berthold:
(Missing) Concept Discovery in Heterogeneous Information Networks. 135-140 - David Kirsh:
Creative Cognition in Choreography. 141-146 - D. Fox Harrell, Greg Vargas, Rebecca Perry:
Steps Toward the AIR Toolkit: An Approach to Modeling Social Identity Phenomena in Computational Media. 147-152 - Brian O'Neill, Mark O. Riedl:
Simulating the Everyday Creativity of Readers. 153-158
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