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ORCID14th ICMC 1988: Cologne, Germany
- Proceedings of the 1988 International Computer Music Conference, ICMC 1988, Cologne, Germany, September 20-25, 1988. Michigan Publishing 1988
- Claude Cadoz:
Instrumental Gestures and Musical Composition. - Douglas J. Collinge, Stephen M. Parkinson:
The Oculus Ranae. - Barry Eaglestone:
A Database Environment for Musician-Machine Interaction Experimentation. - Sylvie Gibet, Jean-Loup Florens:
Instrumental Gesture Modeling by Identification with Time-varying Mechanical Models. - Johannes Goebel:
Man-Machine Interaction. - Dean Rubine, Paul McAvinney:
The VideoHarp. - Mira Balaban:
A Music-Workstation Based on Multiple Hierarchical Views of Music. - Michael Czeiszperger:
A Multi-Workstation Environment for Joint Computer Music/Computer Graphics Production. - Xavier Rodet, Gerhard Eckel:
Dynamic Patches: Implementation and Control in the SUN-Mercury Workstation. - Jean-Michel Raczinski, Gerard Marino:
A Real Time Synthesis Unit. - Reginald Bain:
Linguistics and Music Composition: Logical Structures. - Pierre-François Baisnée, Jean-Baptiste Barrière, Marc-André Dalbavie, Jacques Duthen, Magnus Lindberg, Yves Potard, Kaija Saariaho:
ESQUISSE: A Compositional Environment. - Antonio Camurri, Mauro Giacomini, A. Ponassi, Renato Zaccaria:
Key-Music: An Expert System Environment for Music Composition. - John Free, Paul Vytas:
The CAMP Music Configuration Database. - Gary Greenberg:
Composing With Performer Objects. - Gary Greenberg:
Music Learning - Compositional Thinking. - Bernd Streitberg, Klaus Balzer:
The Sound of Mathematics. - Heinz-Dieter Böcker, Andreas Mahling:
What's in a Note? - Marc Chemillier, Dan Timis:
Toward a Theory of Formal Musical Languages. - Glendon R. Diener:
TTrees: An Active Data Structure for Computer Music. - David Rosenthal:
A Model of the Process of Listening to Simple Rhythms. - Andranick Tanguiane:
An Algorithm for Recognition of Chords. - Barry Vercoe, David Cumming:
Connection Machine Tracking of Polyphonic Audio. - Peter Beyls:
Introducing Oscar. - Douglas J. Collinge, Daniel J. Scheidt:
Moxie for the Atari ST. - Roger B. Dannenberg:
A Real Time Scheduler/Dispatcher. - Roger B. Dannenberg, Hirofumi Mukaino:
New Techniques for Enhanced Quality of Computer Accompaniment. - Rupert C. Nieberle, Frank H. Rothkamm, Marcus Verwiebe, Paul Modler, Stefan Koschorreck, Lutz Kosensky:
The CAMP System: An approach for integration of realtime, distributed, and interactive features in a multiparadigm environment. - Rupert C. Nieberle, Paul Modler:
An Open Multiprocessing Architecture for Realtime Music Performance. - Jean-Marie Adrien, René Caussé, Eric Ducasse:
Dynamic Modeling of Stringed and Wind Instruments, Sound Synthesis by Physical Models. - Peter Castine:
A Survey of Users' Experience with Digital Audio Synthesis. - Guy E. Garnett, Bernard Mont-Reynaud:
Hierarchical Waveguide Networks. - Xavier Rodet, Philippe Depalle, Gilles Poirot:
Diphone Sound Synthesis Based on Spectral Envelopes and Harmonic/Noise Excitation Functions. - Marie-Hélène Serra, Dean Rubine, Roger B. Dannenberg:
The Analysis and Resynthesis of Tones via Spectral Interpolation. - Ron W. Berry:
Experiments in Computer Controlled Acoustic Modelling (A Step Backwards??). - Lee Boynton, David Cumming:
A Real-Time Acoustic Processing Card for the Mac II. - Michael Clarke, Peter D. Manning, Ron W. Berry, Alan Purvis:
VOCEL: New implementations fo the FOF synthesis method. - Mark Lentczner, John Worthington:
The Sound Manager: A Software Architecture for Device Independent Sound. - Miles A. Marks:
Resource Allocation in an Additive Synthesis System for Audio Waveform Generation. - Bruce W. Pennycook:
PRAESCIO-II: Amnesia Toward Dynamic Tapeless Performance. - Curtis Roads:
Sound Structure in Message. - Rodney Waschka II, Tózé Ferreira:
Rapd Event Deployment in a MIDI Environment. - Antoine Chaigne, F. Troxler:
SONATE: An analysis/synthesis system of musical sounds based on perceptual data. - Bruno Degazio:
The Development of Context Sensitivity in the Midiforth Computer Music System. - Francesco Giomi, Marco Ligabue:
An Interactive System for Musical Improvisation. - Miller S. Puckette:
The Patcher. - Uri Shimony, Shlomo Markel, Josef Tal:
Icon Notation for Electroacoustic and Computer Music.
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