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ORCIDComputer Music Journal, Volume 41
Volume 41, Number 1, Spring 2017
- Hugh Lynch, Robert Sazdov
:
A Perceptual Investigation into Spatialization Techniques Used in Multichannel Electroacoustic Music for Envelopment and Engulfment. 13-33 - Kerry L. Hagan:
Textural Composition: Aesthetics, Techniques, and Spatialization for High-Density Loudspeaker Arrays. 34-45 - Ludger Brümmer:
Composition and Perception in Spatial Audio. 46-60 - Aaron Einbond:
Mapping the Klangdom Live: Cartographies for Piano with Two Performers and Electronics. 61-75 - Florian Wendt, Gerriet K. Sharma, Matthias Frank, Franz Zotter, Robert Höldrich:
Perception of Spatial Sound Phenomena Created by the Icosahedral Loudspeaker. 76-88 - Seth Aaron Rozanoff:
Sylvain Pohu and Pierre-Alexandre Tremblay: We Make Ourselves [...] By Making Each Other [...]. 89-92 - Ross Feller:
Russell Pinkston: Balancing Acts. 90-92
Volume 41, Number 2, Summer 2017
- Cárthach Ó Nuanáin, Perfecto Herrera, Sergi Jordà:
Rhythmic Concatenative Synthesis for Electronic Music: Techniques, Implementation, and Evaluation. 21-37 - Kunal Jathal:
Real-Time Timbre Classification for Tabletop Hand Drumming. 38-51 - R. Benjamin Shapiro, Annie Kelly, Matthew P. Ahrens, Ben Johnson, Heather Politi, Rebecca Fiebrink:
Tangible Distributed Computer Music for Youth. 52-68 - Koray Tahiroglu, Juan Carlos Vasquez, Johan Kildal:
Facilitating the Musician's Engagement with New Musical Interfaces: Counteractions in Music Performance. 69-82 - Seth Aaron Rozanoff:
Peter Evans Quintet: Genesis. 83-86 - Ross Feller:
Zenial: Minotaur. 84-86
Volume 41, Number 3, Fall 2017
- Edmund Campion:
Dual Reflections: A Conversation with Kaija Saariaho and Jean-Baptiste Barrière on Music, Art, and Technology. 9-20 - Cat Hope:
Electronic Scores for Music: The Possibilities of Animated Notation. 21-35 - Lauren Hayes:
Sound, Electronics, and Music: A Radical and Hopeful Experiment in Early Music Education. 36-49 - Franz Zotter, Markus Zaunschirm, Matthias Frank, Matthias Kronlachner:
A Beamformer to Play with Wall Reflections: The Icosahedral Loudspeaker. 50-68 - Ross Feller:
David Behrman: Performance at Roulette, Brooklyn, New York. 69-75 - Seth Aaron Rozanoff:
Sebastian Lexer + Steve Noble: Muddy Ditch. 70-75 - Ross Feller:
Ian Fredericks: Sunrise: The Acousmatic Music of Ian Fredericks. 72-75
Volume 41, Number 4, Winter 2017
- Elisavet K. Stathopoulou:
An Architect Draws Sound and Light: New Perspectives on Iannis Xenakis's Diatope and La Légende d'Eer (1978). - Axel Berndt, Nadia Al-Kassab, Raimund Dachselt:
The Sonic Affordances of a System for Multitouch Manipulation of Stereophonic Noise Spectra. - Aengus Martin, Craig T. Jin, Oliver Bown:
Design and Evaluation of Agents that Sequence and Juxtapose Short Musical Patterns in Real Time. - Nadine Kroher, José Miguel Díaz-Báñez:
Audio-Based Melody Categorization: Exploring Signal Representations and Evaluation Strategies. - Andrés Lewin-Richter:
2017 New York City Electroacoustic Music Festival: Abrons Arts Center, New York. - Ross Feller:
Cathy van Eck: Between Air and Electricity: Microphones and Loudspeakers as Musical Instruments. - Seth Aaron Rozanoff:
Benjamin O'Brien: For In-Between Times.
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