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2020 – today
- 2024
[j7]Fabio Morreale
, Elham Bahmanteymouri, Brent Burmester, Andrew Chen, Michelle Thorp:
The unwitting labourer: extracting humanness in AI training. AI Soc. 39(5): 2389-2399 (2024)- [c31]Purnima Kamath, Fabio Morreale, Priambudi Lintang Bagaskara, Yize Wei, Suranga Nanayakkara:
Sound Designer-Generative AI Interactions: Towards Designing Creative Support Tools for Professional Sound Designers. CHI 2024: 730:1-730:17 - [i1]Yinghao Ma, Anders Øland, Anton Ragni, Bleiz Macsen Del Sette, Charalampos Saitis, Chris Donahue, Chenghua Lin, Christos Plachouras, Emmanouil Benetos, Elio Quinton, Elona Shatri, Fabio Morreale, Ge Zhang, György Fazekas, Gus Xia, Huan Zhang, Ilaria Manco, Jiawen Huang, Julien Guinot, Liwei Lin, Luca Marinelli, Max W. Y. Lam, Megha Sharma, Qiuqiang Kong, Roger B. Dannenberg, Ruibin Yuan, Shangda Wu, Shih-Lun Wu, Shuqi Dai, Shun Lei, Shiyin Kang, Simon Dixon, Wenhu Chen, Wenhao Huang, Xingjian Du, Xingwei Qu, Xu Tan, Yizhi Li, Zeyue Tian, Zhiyong Wu, Zhizheng Wu, Ziyang Ma, Ziyu Wang:
Foundation Models for Music: A Survey. CoRR abs/2408.14340 (2024) - 2023
- [j6]Andrew McMillan, Fabio Morreale:
Designing accessible musical instruments by addressing musician-instrument relationships. Frontiers Comput. Sci. 5 (2023) - [j5]Oliver Bramah, Sue Adams, Fabio Morreale:
Perceptive vs reflective: spectator interpretation of multimodal artworks. Pers. Ubiquitous Comput. 27(5): 1965-1975 (2023) - [c30]Fabio Morreale, Megha Sharma, I-Chieh Wei:
Data Collection in Music Generation Training Sets: A Critical Analysis. ISMIR 2023: 37-46 - [c29]Costa K. Colachis Glass, Fabio Morreale:
TAILSPIN: An Inquiry into the Audio-Visual Feedback Equilibrium. NIME 2023 - [c28]Raul Masu, Fabio Morreale, Alexander Refsum Jensenius:
The O in NIME: Reflecting on the Importance of Reusing and Repurposing Old Musical Instruments. NIME 2023 - 2022
- [c27]Nicolas E. Gold, Raul Masu, Cecile Chevalier, Fabio Morreale:
Share Your Values! Community-Driven Embedding of Ethics in Research. CHI Extended Abstracts 2022: 12:1-12:7 - 2021
- [j4]Fabio Morreale:
Where Does the Buck Stop? Ethical and Political Issues with AI in Music Creation. Trans. Int. Soc. Music. Inf. Retr. 4(1): 105-113 (2021) - [c26]Oliver Bramah, Xiaoling Cheng, Fabio Morreale:
The Singing Gallery: Combining Music and Static Visual Artworks. Audio Mostly Conference 2021: 117-120 - 2020
- [c25]Fabio Morreale, Maria Eriksson:
"My Library Has Just Been Obliterated": Producing New Norms of Use Via Software Update. CHI 2020: 1-13 - [c24]Andrea Guidi, Fabio Morreale, Andrew P. McPherson:
Design for auditory imagery: altering instruments to explore performer fluency. NIME 2020: 103-108 - [c23]Fabio Morreale, S. M. Astrid Bin, Andrew P. McPherson, Paul Stapleton, Marcelo M. Wanderley:
A NIME Of The Times: Developing an Outward-Looking Political Agenda For This Community. NIME 2020: 160-165
2010 – 2019
- 2019
- [j3]Fabio Morreale, Raul Masu, Antonella De Angeli:
The Influence of Coauthorship in the Interpretation of Multimodal Interfaces. Wirel. Commun. Mob. Comput. 2019: 9234812:1-9234812:12 (2019) - [c22]Charlotte Nordmoen, Jack Armitage, Fabio Morreale, Rebecca Stewart, Andrew P. McPherson:
Making Sense of Sensors: Discovery Through Craft Practice With an Open-Ended Sensor Material. Conference on Designing Interactive Systems 2019: 135-146 - [c21]Raul Masu, Mela Bettega, Nuno N. Correia, Teresa Romão, Fabio Morreale:
ARCAA: a Framework to Analyse the Artefact Ecology in Computer Music Performance. ARTECH 2019: 25:1-25:9 - [c20]Fabio Morreale, Andrea Guidi, Andrew P. McPherson:
Magpick: an Augmented Guitar Pick for Nuanced Control. NIME 2019: 65-70 - [p1]Andrew P. McPherson, Fabio Morreale, Jacob Harrison:
Musical Instruments for Novices: Comparing NIME, HCI and Crowdfunding Approaches. New Directions in Music and Human-Computer Interaction 2019: 179-212 - 2018
- [c19]Fabio Morreale, Andrew P. McPherson, Marcelo M. Wanderley:
NIME Identity from the Performer's Perspective. NIME 2018: 168-173 - [c18]Robert H. Jack, Jacob Harrison, Fabio Morreale, Andrew P. McPherson:
Democratising DMIs: the relationship of expertise and control intimacy. NIME 2018: 184-189 - [c17]Jacob Harrison, Robert H. Jack, Fabio Morreale, Andrew P. McPherson:
When is a Guitar not a Guitar? Cultural Form, Input Modality and Expertise. NIME 2018: 299-304 - 2017
- [c16]Cristina Core, Andrea Conci, Antonella De Angeli, Raul Masu, Fabio Morreale:
Designing a Musical Playground in the Kindergarten. BCS HCI 2017 - [c15]Fabio Morreale, Giulio Moro, Alan Chamberlain, Steve Benford, Andrew P. McPherson:
Building a Maker Community Around an Open Hardware Platform. CHI 2017: 6948-6959 - [c14]Fabio Morreale, Raul Masu, Andrew P. McPherson:
Constraining Control in Mixed-Initiative Musical Interfaces. MICI@CHI 2017 - [c13]Fabio Morreale:
Divesting Control to the Machine in Digital Art. EVA 2017 - [c12]S. M. Astrid Bin, Fabio Morreale, Nick Bryan-Kinns, Andrew P. McPherson:
In-the-moment and Beyond: Combining Post-hoc and Real-Time Data for the Study of Audience Perception of Electronic Music Performance. INTERACT (1) 2017: 263-281 - [c11]Fabio Morreale, Andrew P. McPherson:
Design for longevity: ongoing use of instruments from nime 2010-14. NIME 2017: 192-197 - [c10]Jack Armitage, Fabio Morreale, Andrew P. McPherson:
The finer the musician, the smaller the details: nimecraft under the microscope. NIME 2017: 393-398 - 2016
- [j2]Fabio Morreale, Antonella De Angeli:
Collaborating with an Autonomous Agent to Generate Affective Music. Comput. Entertain. 14(3): 5:1-5:21 (2016) - [c9]Assunta Matassa, Fabio Morreale:
Supporting Singers with Tangible and Visual Feedback. AVI 2016: 328-329 - [c8]Raul Masu, Andrea Conci, Zeno Menestrina, Fabio Morreale, Antonella De Angeli:
Beatfield: An Open-Meaning Audiovisual Exploration. COOP 2016: 309-314 - [c7]Assunta Matassa, Fabio Morreale:
Multisensory experiences for singers: a first tangible prototype. UbiComp Adjunct 2016: 983-988 - [c6]Rishabh Gupta, Mojtaba Khomami Abadi, Jesús Alejandro Cárdenes Cabré, Fabio Morreale, Tiago H. Falk, Nicu Sebe:
A Quality Adaptive Multimodal Affect Recognition System for User-Centric Multimedia Indexing. ICMR 2016: 317-320 - 2015
- [b1]Fabio Morreale:
Designing New Experiences of Music Making. University of Trento, Italy, 2015 - [c5]Fabio Morreale, Antonella De Angeli:
Evaluating Visitor Experiences with Interactive Art. CHItaly 2015: 50-57 - 2014
- [j1]Fabio Morreale, Antonella De Angeli, Raul Masu, Paolo Rota, Nicola Conci:
Collaborative creativity: The Music Room. Pers. Ubiquitous Comput. 18(5): 1187-1199 (2014) - [c4]Fabio Morreale, Aliaksei Miniukovich, Antonella De Angeli:
Twitterradio: translating tweets into music. CHI Extended Abstracts 2014: 567-570 - [c3]Fabio Morreale, Antonella De Angeli, Sile O'Modhrain:
Musical Interface Design: An Experience-oriented Framework. NIME 2014: 467-472 - 2013
- [c2]Fabio Morreale, Raul Masu, Antonella De Angeli, Paolo Rota:
The music room. CHI Extended Abstracts 2013: 3099-3102 - [c1]Fabio Morreale:
Opening Musical Creativity to Non-Musicians. CHItaly (Doctoral Consortium) 2013: 5-10
Coauthor Index
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last updated on 2024-10-23 20:29 CEST by the dblp team
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