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ORCIDCarlos Eduardo Cancino Chacón
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- affiliation: Johannes Kepler University Linz, Austria
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2020 – today
- 2024
[c17]Patricia Hu, Lukás Samuel Marták, Carlos Eduardo Cancino Chacón, Gerhard Widmer:
Towards Musically Informed Evaluation of Piano Transcription Models. ISMIR 2024: 1068-1075- [c16]Carlos Eduardo Cancino Chacón
, Ivan Pilkov:
The Rach3 Dataset: Towards Data-Driven Analysis of Piano Performance Rehearsal. MMM (5) 2024: 28-41 - [d1]Patricia Hu, Lukás Samuel Marták, Carlos Eduardo Cancino Chacón, Gerhard Widmer:
Towards Musically Informed Evaluation of Piano Transcription Models. Zenodo, 2024
- [i22]Silvan David Peter, Carlos Eduardo Cancino Chacón, Emmanouil Karystinaios, Gerhard Widmer:
Sounding Out Reconstruction Error-Based Evaluation of Generative Models of Expressive Performance. CoRR abs/2401.00471 (2024) - [i21]Silvan David Peter, Shreyan Chowdhury, Carlos Eduardo Cancino Chacón, Gerhard Widmer:
Are we describing the same sound? An analysis of word embedding spaces of expressive piano performance. CoRR abs/2401.02979 (2024) - [i20]Patricia Hu, Lukás Samuel Marták, Carlos Cancino Chacón, Gerhard Widmer:
Towards Musically Informed Evaluation of Piano Transcription Models. CoRR abs/2406.08454 (2024) - [i19]Uros Zivanovic, Carlos Eduardo Cancino Chacón:
A Transformer-Based Visual Piano Transcription Algorithm. CoRR abs/2411.09037 (2024) - 2023
- [j4]Silvan David Peter, Carlos Eduardo Cancino Chacón, Francesco Foscarin, Andrew McLeod, Florian Henkel, Emmanouil Karystinaios, Gerhard Widmer:
Automatic Note-Level Score-to-Performance Alignments in the ASAP Dataset. Trans. Int. Soc. Music. Inf. Retr. 6(1): 27-42 (2023) - [c15]Silvan David Peter, Carlos Eduardo Cancino Chacón, Emmanouil Karystinaios, Gerhard Widmer:
Sounding Out Reconstruction Error-Based Evaluation of Generative Models of Expressive Performance. DLfM 2023: 58-66 - [c14]Silvan David Peter, Shreyan Chowdhury, Carlos Eduardo Cancino Chacón, Gerhard Widmer:
Are we describing the same sound? An analysis of word embedding spaces of expressive piano performance. FIRE 2023: 58-66 - [c13]Carlos Cancino Chacón, Silvan Peter, Patricia Hu, Emmanouil Karystinaios, Florian Henkel, Francesco Foscarin, Gerhard Widmer:
The ACCompanion: Combining Reactivity, Robustness, and Musical Expressivity in an Automatic Piano Accompanist. IJCAI 2023: 5779-5787 - [c12]Huan Zhang, Emmanouil Karystinaios, Simon Dixon, Gerhard Widmer, Carlos Eduardo Cancino Chacón:
Symbolic Music Representations for Classification Tasks: A Systematic Evaluation. ISMIR 2023: 848-858 - [i18]Carlos Cancino Chacón, Silvan Peter, Patricia Hu, Emmanouil Karystinaios, Florian Henkel, Francesco Foscarin, Nimrod Varga, Gerhard Widmer:
The ACCompanion: Combining Reactivity, Robustness, and Musical Expressivity in an Automatic Piano Accompanist. CoRR abs/2304.12939 (2023) - [i17]Huan Zhang, Emmanouil Karystinaios, Simon Dixon, Gerhard Widmer, Carlos Eduardo Cancino Chacón:
Symbolic Music Representations for Classification Tasks: A Systematic Evaluation. CoRR abs/2309.02567 (2023) - 2022
- [i16]Maarten Grachten, Carlos Cancino Chacón, Thassilo Gadermaier:
partitura: A Python Package for Handling Symbolic Musical Data. CoRR abs/2201.13144 (2022) - [i15]Laura Bishop, Carlos Cancino Chacón, Werner Goebl:
Beyond synchronization: Body gestures and gaze direction in duo performance. CoRR abs/2201.13297 (2022) - [i14]Carlos Cancino Chacón, Silvan David Peter, Emmanouil Karystinaios, Francesco Foscarin, Maarten Grachten, Gerhard Widmer:
Partitura: A Python Package for Symbolic Music Processing. CoRR abs/2206.01071 (2022) - [i13]Francesco Foscarin, Emmanouil Karystinaios, Silvan David Peter, Carlos Cancino Chacón, Maarten Grachten, Gerhard Widmer:
The match file format: Encoding Alignments between Scores and Performances. CoRR abs/2206.01104 (2022) - 2020
- [c11]Carlos Eduardo Cancino Chacón, Silvan Peter, Shreyan Chowdhury, Anna Aljanaki, Gerhard Widmer:
On the Characterization of Expressive Performance in Classical Music: First Results of the Con Espressione Game. ISMIR 2020: 613-620 - [i12]Olivier Lartillot, Carlos Cancino Chacón, Charles Brazier:
Real-time visualisation of fugue played by a string quartet. CoRR abs/2006.10168 (2020) - [i11]Carlos Eduardo Cancino Chacón, Silvan Peter, Shreyan Chowdhury, Anna Aljanaki, Gerhard Widmer:
On the Characterization of Expressive Performance in Classical Music: First Results of the Con Espressione Game. CoRR abs/2008.02194 (2020)
2010 – 2019
- 2019
- [c10]Federico Simonetta, Carlos Eduardo Cancino Chacón, Stavros Ntalampiras, Gerhard Widmer:
A Convolutional Approach to Melody Line Identification in Symbolic Scores. ISMIR 2019: 924-931 - [i10]Zhengshan Shi, Carlos Cancino Chacón, Gerhard Widmer:
User Curated Shaping of Expressive Performances. CoRR abs/1906.06428 (2019) - [i9]Federico Simonetta, Carlos Eduardo Cancino Chacón, Stavros Ntalampiras, Gerhard Widmer:
A Convolutional Approach to Melody Line Identification in Symbolic Scores. CoRR abs/1906.10547 (2019) - [i8]Laura Bishop, Carlos Cancino Chacón, Werner Goebl:
Moving to Communicate, Moving to Interact: Patterns of Body Motion in Musical Duo Performance. CoRR abs/1911.09018 (2019) - 2018
- [j3]Carlos Eduardo Cancino Chacón, Maarten Grachten, Werner Goebl, Gerhard Widmer:
Computational Models of Expressive Music Performance: A Comprehensive and Critical Review. Frontiers Digit. Humanit. 5: 25 (2018) - [i7]Carlos Cancino Chacón, Maarten Grachten:
A Computational Study of the Role of Tonal Tension in Expressive Piano Performance. CoRR abs/1807.01080 (2018) - 2017
- [j2]Maarten Grachten, Carlos Eduardo Cancino Chacón, Thassilo Gadermaier, Gerhard Widmer:
Toward Computer-Assisted Understanding of Dynamics in Symphonic Music. IEEE Multim. 24(1): 36-46 (2017) - [j1]Carlos Eduardo Cancino Chacón, Thassilo Gadermaier, Gerhard Widmer, Maarten Grachten:
An evaluation of linear and non-linear models of expressive dynamics in classical piano and symphonic music. Mach. Learn. 106(6): 887-909 (2017) - [c9]Carlos Eduardo Cancino Chacón, Maarten Grachten, Kat Agres:
From Bach to the Beatles: The Simulation of Human Tonal Expectation Using Ecologically-Trained Predictive Models. ISMIR 2017: 494-501 - [i6]Carlos Eduardo Cancino Chacón, Maarten Grachten, Kat Agres:
From Bach to the Beatles: The simulation of human tonal expectation using ecologically-trained predictive models. CoRR abs/1707.06231 (2017) - [i5]Carlos Eduardo Cancino Chacón, Maarten Grachten, David R. W. Sears, Gerhard Widmer:
What were you expecting? Using Expectancy Features to Predict Expressive Performances of Classical Piano Music. CoRR abs/1709.03629 (2017) - [i4]Maarten Grachten, Carlos Eduardo Cancino Chacón:
Strategies for Conceptual Change in Convolutional Neural Networks. CoRR abs/1711.01634 (2017) - [i3]Carlos Cancino Chacón, Martin Bonev, Amaury Durand, Maarten Grachten, Andreas Arzt, Laura Bishop, Werner Goebl, Gerhard Widmer:
The ACCompanion v0.1: An Expressive Accompaniment System. CoRR abs/1711.02427 (2017) - 2016
- [c8]Gissel Velarde, Tillman Weyde, Carlos Eduardo Cancino Chacón, David Meredith, Maarten Grachten:
Composer Recognition Based on 2D-Filtered Piano-Rolls. ISMIR 2016: 115-121 - [i2]Maarten Grachten, Carlos Eduardo Cancino Chacón, Thassilo Gadermaier, Gerhard Widmer:
Towards computer-assisted understanding of dynamics in symphonic music. CoRR abs/1612.02198 (2016) - [i1]Thassilo Gadermaier, Maarten Grachten, Carlos Eduardo Cancino Chacón:
Basis-Function Modeling of Loudness Variations in Ensemble Performance. CoRR abs/1612.05432 (2016) - 2015
- [c7]Kat Agres, Carlos Cancino, Maarten Grachten, Stefan Lattner:
A Computational Approach to Modelling the Perception of Pitch and Tonality in Music. CogSci 2015 - [c6]Carlos Eduardo Cancino Chacón, Maarten Grachten:
An Evaluation of Score Descriptors Combined with Non-linear Models of Expressive Dynamics in Music. Discovery Science 2015: 48-62 - [c5]Stefan Lattner, Carlos Eduardo Cancino Chacón, Maarten Grachten:
Pseudo-Supervised Training Improves Unsupervised Melody Segmentation. IJCAI 2015: 2459-2465 - [c4]Stefan Lattner, Maarten Grachten, Kat Agres, Carlos Eduardo Cancino Chacón:
Probabilistic Segmentation of Musical Sequences Using Restricted Boltzmann Machines. MCM 2015: 323-334 - 2014
- [c3]Carlos Eduardo Cancino Chacón, Pejman Mowlaee:
Least squares phase estimation of mixed signals. INTERSPEECH 2014: 2705-2709 - [c2]Carlos Eduardo Cancino Chacón, Stefan Lattner, Maarten Grachten:
Developing Tonal Perception through Unsupervised Learning. ISMIR 2014: 195-200 - 2013
- [c1]Sebastian Tschiatschek, Carlos Eduardo Cancino Chacón, Franz Pernkopf:
Bounds for Bayesian network classifiers with reduced precision parameters. ICASSP 2013: 3357-3361
Coauthor Index
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