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Paulo Bala
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2020 – today
- 2024
- [j3]Paulo Bala
, Valentina Nisi
, Nuno Jardim Nunes
:
Stories as Boundary Objects: Digital Storytelling with Migrant Communities for Heritage Discourses. Proc. ACM Hum. Comput. Interact. 8(CSCW1): 1-32 (2024) - [c28]Andrés Isaza-Giraldo
, Paulo Bala
, Pedro F. Campos
, Lucas Pereira
:
Prompt-Gaming: A Pilot Study on LLM-Evaluating Agent in a Meaningful Energy Game. CHI Extended Abstracts 2024: 272:1-272:12 - [c27]Ana Santos
, Constança Freitas
, Paulo Bala
, Pedro F. Campos
, Mara Dionisio
:
Financial DreamScape: Puzzle Narrative Games for Financial Education. IMX 2024: 421-425 - [c26]Élton Camacho
, Pedro F. Campos
, Paulo Bala
:
CBT-Darts: Identifying Cognitive Distortions in an Immersive VR Game. IMX 2024: 432-435 - 2023
- [j2]Valentina Nisi
, Paulo Bala
, Vanessa Cesário
, Stuart James
, Alessio Del Bue
, Nuno Jardim Nunes
:
"Connected to the people": Social Inclusion & Cohesion in Action through a Cultural Heritage Digital Tool. Proc. ACM Hum. Comput. Interact. 7(CSCW2): 1-37 (2023) - [c25]Shuhao Ma
, Paulo Bala
, Valentina Nisi
, John Zimmerman
, Nuno Jardim Nunes
:
Uncovering Gig Worker-Centered Design Opportunities in Food Delivery Work. Conference on Designing Interactive Systems 2023: 688-701 - [c24]Valentina Nisi
, Paulo Bala
, Hollie Bostock
, Vanessa Cesário
, Nuno Jardim Nunes
:
"Before gentrification, we claim for habitation": Eliciting Values and Assets through Cultural Heritage Storytelling. Conference on Designing Interactive Systems 2023: 2423-2436 - [c23]Paulo Bala
, Pedro Sanches
, Vanessa Cesário
, Sarah Leão
, Catarina Rodrigues
, Nuno Jardim Nunes
, Valentina Nisi
:
Towards Critical Heritage in the wild: Analysing Discomfort through Collaborative Autoethnography. CHI 2023: 771:1-771:19 - [c22]Valentina Nisi
, Stuart James
, Paulo Bala
, Alessio Del Bue
, Nuno Jardim Nunes
:
Inclusive Digital Storytelling: Artificial Intelligence and Augmented Reality to Re-centre Stories from the Margins. ICIDS (1) 2023: 117-137 - 2022
- [c21]Paulo Bala
, Stuart James
, Alessio Del Bue
, Valentina Nisi
:
Writing with (Digital) Scissors: Designing a Text Editing Tool for Assisted Storytelling Using Crowd-Generated Content. ICIDS 2022: 139-158 - 2021
- [c20]Paulo Bala, Ian Oakley, Valentina Nisi, Nuno Jardim Nunes
:
Dynamic Field of View Restriction in 360° Video: Aligning Optical Flow and Visual SLAM to Mitigate VIMS. CHI 2021: 525:1-525:18 - [c19]Paulo Bala, Valentina Nisi, Mara Dionisio, Nuno Jardim Nunes
, Stuart James:
Square peg, round hole: A case study on using Visual Question & Answering in Games. CHI PLAY 2021: 133-139 - [c18]Mara Dionísio
, Valentina Nisi
, Jin Xin, Paulo Bala
, Stuart James
, Nuno Jardim Nunes
:
Amnesia in the Atlantic: An AI Driven Serious Game on Marine Biodiversity. ICEC 2021: 427-432 - 2020
- [c17]Mara Dionisio, Paulo Bala, Sarah Oliveira, Valentina Nisi:
Tale of T(r)ails: The Design of an AR Comic Book for an Animal Welfare Transmedia. ICIDS 2020: 281-284 - [c16]Paulo Bala, Mara Dionisio, Tânia Andrade, Valentina Nisi:
Tell a Tail 360$^{\circ }$: Immersive Storytelling on Animal Welfare. ICIDS 2020: 357-360 - [c15]Paulo Bala, Mara Dionisio, Sarah Oliveira, Tânia Andrade, Valentina Nisi:
Tell a Tail: Leveraging XR for a Transmedia on Animal Welfare. ICEC 2020: 223-239 - [c14]Raul Masu, Paulo Bala, Muhammad Ahmad, Nuno N. Correia, Valentina Nisi, Nuno Nunes, Teresa Romão:
VR Open Scores: Scores as Inspiration for VR Scenarios. NIME 2020: 109-114 - [c13]Paulo Bala, Ian Oakley, Valentina Nisi, Nuno Nunes:
Staying on Track: a Comparative Study on the Use of Optical Flow in 360° Video to Mitigate VIMS. IMX 2020: 82-93
2010 – 2019
- 2019
- [j1]Valentina Nisi, Mara Sofia Dionisio, Paulo Bala, Tom Gross, Time's Up, Nuno Jardim Nunes
:
Lucid Peninsula, a Physical Narrative Art Installation Comprising Interactive 360° Virtual Reality Components. Int. J. Creative Interfaces Comput. Graph. 10(1): 1-15 (2019) - [c12]Paulo Bala, Raul Masu, Valentina Nisi, Nuno Nunes
:
"When the Elephant Trumps": A Comparative Study on Spatial Audio for Orientation in 360º Videos. CHI 2019: 695 - 2018
- [c11]Paulo Bala, Raul Masu, Valentina Nisi, Nuno Nunes
:
Cue Control: Interactive Sound Spatialization for 360° Videos. ICIDS 2018: 333-337 - [c10]Paulo Bala, Dina Dionisio, Valentina Nisi, Nuno Nunes
:
Visually Induced Motion Sickness in 360° Videos: Comparing and Combining Visual Optimization Techniques. ISMAR Adjunct 2018: 244-249 - 2017
- [c9]Mara Dionísio
, Paulo Bala
, Valentina Nisi
, Ian Oakley
, Nuno Nunes
:
Step by Step: Evaluating Navigation Styles in Mixed Reality Entertainment Experience. ACE 2017: 32-45 - [c8]Paulo Bala
, Valentina Nisi
, Nuno Nunes
:
Evaluating User Experience in 360º Storytelling Through Analytics. ICIDS 2017: 270-273 - [c7]Mara Dionisio, Paulo Bala
, Valentina Nisi, Nuno Nunes
:
Fragments of laura: incorporating mobile virtual reality in location aware mobile storytelling experiences. MUM 2017: 165-176 - [c6]Paulo Bala
, Mara Dionisio
, Rui Trindade
, Sandra Câmara Olim
, Valentina Nisi, Nuno Nunes
:
Evaluating the influence of location and medium applied to mobile VR storytelling. MUM 2017: 371-378 - 2016
- [c5]Paulo Bala
, Mara Dionisio
, Valentina Nisi
, Nuno Jardim Nunes
:
IVRUX: A Tool for Analyzing Immersive Narratives in Virtual Reality. ICIDS 2016: 3-11 - [c4]Mara Dionisio
, Valentina Nisi
, Nuno Jardim Nunes
, Paulo Bala
:
Transmedia Storytelling for Exposing Natural Capital and Promoting Ecotourism. ICIDS 2016: 351-362 - 2015
- [c3]Mara Dionisio, Paulo Bala
, Rui Trindade, Valentina Nisi, Julian Hanna, Time's Up:
Lucid Peninsula: DreamScope - An Interactive Physical Installation. Creativity & Cognition 2015: 377-378 - [c2]Paulo Bala
, Lucilia Noóbrega, Guilherme Neves, Laís Lopes, Joana Morna, João Camacho, Cristina Freitas:
Keyewai: Looking at Cooperation in a Holographic Projection Screen. CHI Extended Abstracts 2015: 61-64 - [c1]Mara Dionisio
, Paulo Bala
, Rui Trindade
, Valentina Nisi
, Nuno Jardim Nunes
, Time's Up:
DreamScope Catcher: A Touch Sensitive Interface to Catch Dreams. ITS 2015: 417-420
Coauthor Index
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last updated on 2024-08-03 20:14 CEST by the dblp team
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