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2020 – today
- 2020
[j8]Fleur L. Bouwer
, Henkjan Honing, Heleen A. Slagter:
Beat-based and Memory-based Temporal Expectations in Rhythm: Similar Perceptual Effects, Different Underlying Mechanisms. J. Cogn. Neurosci. 32(7): 1221-1241 (2020)
2010 – 2019
- 2013
- [c20]Anna Aljanaki, Dimitrios Bountouridis, John Ashley Burgoyne, Jan Van Balen, Frans Wiering, Henkjan Honing, Remco C. Veltkamp:
Designing Games with a Purpose for Data Collection in Music Research. Emotify and Hooked: Two Case Studies. GALA 2013: 29-40 - [c19]John Ashley Burgoyne, Dimitrios Bountouridis, Jan Van Balen, Henkjan Honing:
Hooked: A Game For Discovering What Makes Music Catchy. ISMIR 2013: 245-250 - 2012
- [j7]Henkjan Honing, Annemie Ploeger:
Cognition and the Evolution of Music: Pitfalls and Prospects. Top. Cogn. Sci. 4(4): 513-524 (2012)
2000 – 2009
- 2009
- [j6]Martin Coath, Susan L. Denham, Leigh M. Smith, Henkjan Honing, Amaury Hazan, Piotr Holonowicz, Hendrik Purwins:
Model cortical responses for the detection of perceptual onsets and beat tracking in singing. Connect. Sci. 21(2&3): 193-205 (2009) - 2007
- [j5]Henkjan Honing:
The Role of ICT in Music Research: A Bridge too far? Int. J. Humanit. Arts Comput. 1(1): 61-69 (2007) - 2006
- [c18]Leigh M. Smith, Henkjan Honing:
Evaluating and Extending Computational Models of Rhythmic Syncopation in Music. ICMC 2006 - 2005
- [c17]Henkjan Honing:
Timing is Tempo-Specific. ICMC 2005 - 2003
- [j4]Henkjan Honing:
The Final Ritard: On Music, Motion, and Kinematic Models. Comput. Music. J. 27(3): 66-72 (2003) - 2001
- [j3]Henkjan Honing:
From Time to Time: The Representation of Timing and Tempo. Comput. Music. J. 25(3): 50-61 (2001) - [c16]Stéphane Rossignol, Peter Desain, Henkjan Honing:
Refined Knowledge-Based ƒ0 Tracking: Comparing Three Frequency Extraction Methods. ICMC 2001 - [c15]Paul Trilsbeek, Peter Desain, Henkjan Honing:
Spectral analysis of timing profiles of piano performances. ICMC 2001 - 2000
- [j2]Hank Heijink, Peter Desain, Henkjan Honing, Luke Windsor:
Make Me a Match: An Evaluation of Different Approaches to Score - Performance Matching. Comput. Music. J. 24(1): 43-56 (2000) - [c14]Ali Taylan Cemgil, Bert Kappen, Peter Desain, Henkjan Honing:
On tempo tracking: Tempogram Representation and Kalman filtering. ICMC 2000
1990 – 1999
- 1997
- [c13]Peter Desain, Henkjan Honing, Hank Heijink:
Robust Score-Performance Matching: Taking Advantage of Structural Information. ICMC 1997 - 1996
- [c12]Peter Desain, Henkjan Honing:
Physical Motion as a Metaphor for Timing in Music: The Final Ritard. ICMC 1996 - 1995
- [c11]Peter Desain, Henkjan Honing:
Towards Algorithmic Descriptions of Continuous Modulations of Musical Parameters. ICMC 1995 - 1994
- [c10]Peter Desain, Henkjan Honing:
Foot-tapping: a brief intoduction to beat induction. ICMC 1994 - [c9]Peter Desain, Henkjan Honing:
Rulebased models of initial beat induction and an analysis of their behavior. ICMC 1994 - [c8]Peter Desain, Henkjan Honing:
Advanced issues in beat induction modeling: syncopation, tempo and timing. ICMC 1994 - 1993
- [j1]Henkjan Honing:
A microworld approach to the formalization of musical knowledge. Comput. Humanit. 27(1): 41-47 (1993) - [c7]Peter Desain, Henkjan Honing:
On Continuous Musical Control of Discrete Musical Objects. ICMC 1993 - 1992
- [c6]Henkjan Honing:
Expresso, a Strong and Small Editor for Expression. ICMC 1992 - 1991
- [c5]Peter Desain, Henkjan Honing:
Tempo Curves Considered Harmful. ICMC 1991 - [c4]Peter Desain, Henkjan Honing:
Generalized Time Functions. ICMC 1991 - 1990
- [c3]Henkjan Honing:
POCO: An Environment for Analysing, Modifying and Generating Expression in Music. ICMC 1990
1980 – 1989
- 1989
- [c2]Peter Desain, Henkjan Honing, Klaus de Rijk:
A Connectionist Quantizer. ICMC 1989 - 1986
- [c1]Peter Desain, Henkjan Honing:
LOCO: Composition Microworlds in LOGO. ICMC 1986
Coauthor Index
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