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ORCIDMarcelo M. Wanderley
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- affiliation: McGill University, Input Devices and Music Interaction Laboratory, Montreal, Canada
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2020 – today
- 2024
[i3]Ziyue Piao, Christian Frisson, Bavo Van Kerrebroeck, Marcelo M. Wanderley:
Enhancing DMI Interactions by Integrating Haptic Feedback for Intricate Vibrato Technique. CoRR abs/2405.10502 (2024)- 2023
- [j25]Erivan Gonçalves Duarte, Isabelle Cossette, Marcelo M. Wanderley:
Analysis of Accessible Digital Musical Instruments through the lens of disability models: a case study with instruments targeting d/Deaf people. Frontiers Comput. Sci. 5 (2023) - [c137]Ziyue Piao
, Marcelo M. Wanderley, Felipe Verdugo:
MappEMG: Enhancing Music Pedagogy by Mapping Electromyography to Multimodal Feedback. ArtsIT (2) 2023: 325-341 - [c136]Brady Boettcher, Eduardo A. L. Meneses, Christian Frisson, Marcelo M. Wanderley, Joseph W. Malloch:
Addressing Barriers for Entry and Operation of a Distributed Signal Mapping Framework. NIME 2023 - [c135]Paul Buser, Kasey Pocius, Linnea Kirby, Marcelo M. Wanderley:
Towards the T-Tree 2.0: Lessons Learned From Performance With a Novel DMI and Instrument Hub. NIME 2023 - [c134]Tommy Davis, Kasey Pocius, Vincent Cusson, Marcelo M. Wanderley, Philippe Pasquier:
eTud, be: case studies in playing with musical agents. NIME 2023 - [c133]Takuto Fukuda, Marcelo M. Wanderley:
T-Patch: a software application for T-Stick Digital Musical Instruments. NIME 2023 - [c132]Eduardo A. L. Meneses, Thomas Piquet, Jason Noble, Marcelo M. Wanderley:
The Puara Framework: Hiding complexity and modularity for reproducibility and usability in NIMEs. NIME 2023 - [c131]Albert-Ngabo Niyonsenga, Marcelo M. Wanderley:
Tools and Techniques for the Maintenance and Support of Digital Musical Instruments. NIME 2023 - [c130]Marcelo M. Wanderley:
Prehistoric NIME: Revisiting Research on New Musical Interfaces in the Computer Music Community before NIME. NIME 2023 - 2022
- [j24]John Sullivan, Marcelo M. Wanderley, Catherine Guastavino:
From Fiction to Function: Imagining New Instruments through Design Workshops. Comput. Music. J. 46(3): 26-47 (2022) - [c129]Brady Boettcher, Joseph W. Malloch, Johnty Wang, Marcelo M. Wanderley:
Mapper4Live: Using Control Structures to Embed Complex Mapping Tools into Ableton Live. NIME 2022 - [c128]Brady Boettcher, John Sullivan, Marcelo M. Wanderley:
Slapbox: Redesign of a Digital Musical Instrument Towards Reliable Long-Term Practice. NIME 2022 - [c127]Christian Frisson, Mathias Kirkegaard, Thomas Pietrzak, Marcelo M. Wanderley:
ForceHost: an open-source toolchain for generating firmware embedding the authoring and rendering of audio and force-feedback haptics. NIME 2022 - [c126]Linnea Kirby, Paul Buser, Marcelo M. Wanderley:
Introducing the t-Tree: Using Multiple t-Sticks for Performance and Installation. NIME 2022 - [c125]Felipe Verdugo, Amedeo Ceglia, Christian Frisson, Alexandre Burton, Mickaël Begon, Sylvie Gibet, Marcelo M. Wanderley:
Feeling the Effort of Classical Musicians - A Pipeline from Electromyography to Smartphone Vibration for Live Music Performance. NIME 2022 - 2021
- [j23]Valérian Fraisse, Marcelo M. Wanderley, Catherine Guastavino:
Comprehensive Framework for Describing Interactive Sound Installations: Highlighting Trends through a Systematic Review. Multimodal Technol. Interact. 5(4): 19 (2021) - [j22]Luca Turchet, Travis J. West, Marcelo M. Wanderley:
Touching the audience: musical haptic wearables for augmented and participatory live music performances. Pers. Ubiquitous Comput. 25(4): 749-769 (2021) - [c124]Anésio Azevedo Costa Neto, Nivalda Assunção de Araújo, Marcelo M. Wanderley:
Projeto: Cerrado: Unfolding Spaces. ARTECH 2021: 11:1-11:6 - [c123]Leandro Lesqueves Costalonga, Daniel Hora, Marcelo Soares Pimenta, Marcelo M. Wanderley:
The Ragpicking DMI Design: The Case for Green Computer Music. ARTECH 2021: 64:1-64:10 - [c122]Marcelo M. Wanderley, Travis J. West, Josh Rohs, Eduardo Meneses, Christian Frisson:
The IDMIL Digital Audio Workbench: An interactive online application for teaching digital audio concepts. Audio Mostly Conference 2021: 232-239 - [c121]Benjamin Lavastre, Marcelo M. Wanderley:
Interaction Strategies in Composition for Karlax and Acoustic Instruments. CMMR 2021: 163-179 - [c120]Filipe Calegario, João Tragtenberg, Christian Frisson, Eduardo Meneses, Joseph W. Malloch, Vincent Cusson, Marcelo M. Wanderley:
Documentation and Replicability in the NIME Community. NIME 2021 - [c119]Valérian Fraisse, Catherine Guastavino, Marcelo M. Wanderley:
A Visualization Tool to Explore Interactive Sound Installations. NIME 2021 - [c118]Christian Frisson, Mathias Bredholt, Joseph W. Malloch, Marcelo M. Wanderley:
MapLooper: Live-looping of distributed gesture-to-sound mappings. NIME 2021 - [c117]Takuto Fukuda, Eduardo Meneses, Travis J. West, Marcelo M. Wanderley:
The T-Stick Music Creation Project: An approach to building a creative community around a DMI. NIME 2021 - [c116]Juliette Regimbal, Marcelo M. Wanderley:
Interpolating Audio and Haptic Control Spaces. NIME 2021 - [c115]P. J. Charles Reimer, Marcelo M. Wanderley:
Embracing Less Common Evaluation Strategies for Studying User Experience in NIME. NIME 2021 - [c114]Geise Santos, Johnty Wang, Carolina Brum Medeiros, Marcelo M. Wanderley, Tiago Fernandes Tavares, Anderson Rocha:
Comparative Latency Analysis of Optical and Inertial Motion Capture Systems for Gestural Analysis and Musical Performance. NIME 2021 - [c113]Matthew D. Skarha, Vincent Cusson, Christian Frisson, Marcelo M. Wanderley:
Le Bâton: A Digital Musical Instrument Based on the Chaotic Triple Pendulum. NIME 2021 - [c112]Travis J. West, Baptiste Caramiaux, Stéphane Huot, Marcelo M. Wanderley:
Making Mappings: Design Criteria for Live Performance. NIME 2021 - [i2]Geise Santos, Marcelo M. Wanderley, Tiago Fernandes Tavares, Anderson Rocha:
A multi-sensor human gait dataset captured through an optical system and inertial measurement units. CoRR abs/2111.15044 (2021) - 2020
- [j21]Thomas Pietrzak, Marcelo M. Wanderley:
Haptic and audio interaction design. J. Multimodal User Interfaces 14(3): 231-233 (2020) - [j20]Aditya Tirumala Bukkapatnam, Philippe Depalle, Marcelo M. Wanderley:
Defining a vibrotactile toolkit for digital musical instruments: characterizing voice coil actuators, effects of loading, and equalization of the frequency response. J. Multimodal User Interfaces 14(3): 285-301 (2020) - [j19]Sérgio Freire, Geise Santos, Augusto Armondes, Eduardo A. L. Meneses, Marcelo M. Wanderley:
Evaluation of Inertial Sensor Data by a Comparison with Optical Motion Capture Data of Guitar Strumming Gestures. Sensors 20(19): 5722 (2020) - [c111]Filipe Calegario, João Tragtenberg, Johnty Wang, Ivan Franco, Eduardo Meneses, Marcelo M. Wanderley:
Open Source DMIs: Towards a Replication Certification for Online Shared Projects of Digital Musical Instruments. HCI (41) 2020: 84-97 - [c110]Marcelo M. Wanderley, Mathias Bredholt, Christian Frisson:
A Visualization Tool for the CIRMMT Distinguished Lecture Series. HCI (4) 2020: 156-169 - [c109]Eduardo A. L. Meneses, Takuto Fukuda, Marcelo M. Wanderley:
Expanding and Embedding a High-Level Gesture Vocabulary for Digital and Augmented Musical Instruments. HCI (5) 2020: 375-384 - [c108]Mathias Kirkegaard, Mathias Bredholt, Marcelo M. Wanderley:
An Intermediate Mapping Layer for Interactive Sequencing. HCI (5) 2020: 447-456 - [c107]John Sullivan, Julian Vanasse, Catherine Guastavino, Marcelo M. Wanderley:
Reinventing the Noisebox: Designing Embedded Instruments for Active Musicians. NIME 2020: 5-10 - [c106]Johnty Wang, Eduardo Meneses, Marcelo M. Wanderley:
The Scalability of WiFi for Mobile Embedded Sensor Interfaces. NIME 2020: 73-76 - [c105]Fabio Morreale, S. M. Astrid Bin, Andrew P. McPherson, Paul Stapleton, Marcelo M. Wanderley:
A NIME Of The Times: Developing an Outward-Looking Political Agenda For This Community. NIME 2020: 160-165 - [c104]Mathias Kirkegaard, Mathias Bredholt, Christian Frisson, Marcelo M. Wanderley:
TorqueTuner: A self contained module for designing rotary haptic force feedback for digital musical instruments. NIME 2020: 273-278 - [c103]Filipe Calegario, Marcelo M. Wanderley, João Tragtenberg, Eduardo Meneses, Johnty Wang, John Sullivan, Ivan Franco, Mathias Kirkegaard, Mathias Bredholt, Josh Rohs:
Probatio 1.0: collaborative development of a toolkit for functional DMI prototypes. NIME 2020: 285-290 - [c102]Travis J. West, Marcelo M. Wanderley, Baptiste Caramiaux:
Making Mappings: Examining the Design Process. NIME 2020: 291-296 - [i1]Nicola Orio, Norbert Schnell, Marcelo M. Wanderley:
Input Devices for Musical Expression: Borrowing Tools from HCI. CoRR abs/2010.01571 (2020)
2010 – 2019
- 2019
- [j18]Alexander P. Demos, Hamed Layeghi, Marcelo M. Wanderley, Caroline Palmer:
Staying Together: A Bidirectional Delay-Coupled Approach to Joint Action. Cogn. Sci. 43(8) (2019) - [c101]Luca Turchet, Travis J. West, Marcelo M. Wanderley:
Smart Mandolin and Musical Haptic Gilet: effects of vibro-tactile stimuli during live music performance. Audio Mostly Conference 2019: 168-175 - [c100]Travis J. West, Alexandra Bachmayer, Sandeep Bhagwati, Joanna Berzowska, Marcelo M. Wanderley:
The Design of the Body: Suit: Score, a Full-Body Vibrotactile Musical Score. HCI (5) 2019: 70-89 - [c99]Johnty Wang, Axel Mulder, Marcelo M. Wanderley:
Practical Considerations for MIDI over Bluetooth Low Energy as a Wireless Interface. NIME 2019: 25-30 - [c98]Ajin Jiji Tom, Harish Jayanth Venkatesan, Ivan Franco, Marcelo M. Wanderley:
Rebuilding and Reinterpreting a Digital Musical Instrument - The Sponge. NIME 2019: 37-42 - [c97]Vanessa Yaremchuk, Carolina Brum Medeiros, Marcelo M. Wanderley:
Small Dynamic Neural Networks for Gesture Classification with The Rulers (a Digital Musical Instrument). NIME 2019: 150-155 - [c96]Eduardo Meneses, Johnty Wang, Sérgio Freire, Marcelo M. Wanderley:
A Comparison of Open-Source Linux Frameworks for an Augmented Musical Instrument Implementation. NIME 2019: 222-227 - [p3]Simon Holland, Tom Mudd, Katie Wilkie-McKenna, Andrew P. McPherson, Marcelo M. Wanderley:
Understanding Music Interaction, and Why It Matters. New Directions in Music and Human-Computer Interaction 2019: 1-20 - [p2]Joseph W. Malloch, Jérémie Garcia, Marcelo M. Wanderley, Wendy E. Mackay, Michel Beaudouin-Lafon, Stéphane Huot:
A Design Workbench for Interactive Music Systems. New Directions in Music and Human-Computer Interaction 2019: 23-40 - [p1]Marcelo M. Wanderley, Wendy E. Mackay:
HCI, Music and Art: An Interview with Wendy Mackay. New Directions in Music and Human-Computer Interaction 2019: 115-120 - [e2]Simon Holland, Tom Mudd, Katie Wilkie-McKenna, Andrew P. McPherson, Marcelo M. Wanderley:
New Directions in Music and Human-Computer Interaction. Springer 2019, ISBN 978-3-319-92068-9 [contents] - 2018
- [j17]Joseph W. Malloch, Stephen Sinclair, Marcelo M. Wanderley:
Generalized Multi-Instance Control Mapping for Interactive Media Systems. IEEE Multim. 25(1): 39-50 (2018) - [c95]Deborah C. Egloff, Marcelo M. Wanderley, Ilja Frissen:
Haptic display of melodic intervals for musical applications. HAPTICS 2018: 284-289 - [c94]John Sullivan, Alexandra Tibbitts, Brice Gatinet, Marcelo M. Wanderley:
Gestural Control of Augmented Instrumental Performance: A Case Study of the Concert Harp. MOCO 2018: 26:1-26:8 - [c93]Catherine Massie-Laberge, Marcelo M. Wanderley, Isabelle Cossette:
Kinetic Analysis of Hip Motion During Piano Playing. MOCO 2018: 39:1-39:6 - [c92]Fabio Morreale, Andrew P. McPherson, Marcelo M. Wanderley:
NIME Identity from the Performer's Perspective. NIME 2018: 168-173 - [c91]Alex Nieva, Johnty Wang, Joseph W. Malloch, Marcelo M. Wanderley:
The T-Stick: Maintaining a 12 year-old Digital Musical Instrument. NIME 2018: 198-199 - [c90]Eduardo Meneses, Sérgio Freire, Marcelo M. Wanderley:
GuitarAMI and GuiaRT: two independent yet complementary projects on augmented nylon guitars. NIME 2018: 222-227 - [c89]Joseph W. Malloch, Marlon Schumacher, Stephen Sinclair, Marcelo M. Wanderley:
The Digital Orchestra Toolbox for Max. NIME 2018: 255-258 - [c88]Jerônimo Barbosa, Marcelo M. Wanderley, Stéphane Huot:
ZenStates: Easy-to-Understand Yet Expressive Specifications for Creative Interactive Environments. VL/HCC 2018: 167-175 - 2017
- [j16]Esteban Maestre, Panagiotis Papiotis, Marco Marchini, Quim Llimona, Oscar Mayor, Alfonso Pérez, Marcelo M. Wanderley:
Enriched Multimodal Representations of Music Performances: Online Access and Visualization. IEEE Multim. 24(1): 24-34 (2017) - [j15]Filipe Calegario, Marcelo M. Wanderley, Stéphane Huot, Giordano Cabral, Geber L. Ramalho:
A Method and Toolkit for Digital Musical Instruments: Generating Ideas and Prototypes. IEEE Multim. 24(1): 63-71 (2017) - [c87]Ian Hattwick, Ivan Franco, Marcelo M. Wanderley:
The Vibropixels: A Scalable Wireless Tactile Display System. HCI (3) 2017: 517-528 - [c86]Baptiste Caramiaux, Frédéric Bevilacqua, Caroline Palmer, Marcelo M. Wanderley:
Individuality in Piano Performance Depends on Skill Learning. MOCO 2017: 14:1-14:7 - [c85]Jerônimo Barbosa, Marcelo M. Wanderley, Stéphane Huot:
Exploring playfulness in nime design: the case of live looping tools. NIME 2017: 87-92 - [c84]Ian Hattwick, Marcelo M. Wanderley:
Design of hardware systems for professional artistic applications. NIME 2017: 436-441 - 2016
- [c83]Simon Holland, Andrew P. McPherson, Wendy E. Mackay, Marcelo M. Wanderley, Michael D. Gurevich, Tom W. Mudd, Sile O'Modhrain, Katie L. Wilkie, Joseph W. Malloch, Jérémie Garcia, Andrew Johnston:
Music and HCI. CHI Extended Abstracts 2016: 3339-3346 - [c82]Ivan Franco, Marcelo M. Wanderley:
Prynth: A Framework for Self-contained Digital Music Instruments. CMMR 2016: 357-370 - [c81]Lei Chen, Sylvie Gibet, Pierre-François Marteau, Fabrice Marandola, Marcelo M. Wanderley:
Quantitative Evaluation of Percussive Gestures by Ranking Trainees versus Teacher. MOCO 2016: 13:1-13:8 - 2015
- [j14]Joseph W. Malloch, Stephen Sinclair, Marcelo M. Wanderley:
Distributed tools for interactive design of heterogeneous signal networks. Multim. Tools Appl. 74(15): 5683-5707 (2015) - [j13]Alfonso Pérez Carrillo, Marcelo M. Wanderley:
Indirect Acquisition of Violin Instrumental Controls from Audio Signal with Hidden Markov Models. IEEE ACM Trans. Audio Speech Lang. Process. 23(5): 932-940 (2015) - [c80]Alfonso Pérez Carrillo, Josep Lluís Arcos, Marcelo M. Wanderley:
Estimation of Guitar Fingering and Plucking Controls Based on Multimodal Analysis of Motion, Audio and Musical Score. CMMR 2015: 71-87 - [c79]Ian Hattwick, Ivan Franco, Marcello Giordano, Deborah Egloff, Marcelo M. Wanderley, Valérie Lamontagne, Ian A. Arawjo, Christopher L. Salter, Maurizio Martinucci:
Composition Techniques for the Ilinx Vibrotactile Garment. ICMC 2015 - [c78]Mickaël Tits, Joëlle Tilmanne, Nicolas D'Alessandro, Marcelo M. Wanderley:
Feature Extraction and Expertise Analysis of Pianists' Motion-Captured Finger Gestures. ICMC 2015 - [c77]Jerônimo Barbosa, Joseph W. Malloch, Marcelo M. Wanderley, Stéphane Huot:
What does 'evaluation' mean for the nime community? NIME 2015: 156-161 - [c76]Ian Hattwick, Marcelo M. Wanderley:
Interactive lighting in the pearl: considerations and implementation. NIME 2015: 201-204 - [c75]Ivan Franco, Marcelo M. Wanderley:
Pratical evaluation of synthesis performance on the beaglebone black. NIME 2015: 223-226 - [c74]Jerônimo Barbosa, Filipe Calegario, João Tragtenberg, Giordano Cabral, Geber L. Ramalho, Marcelo M. Wanderley:
Designing dmis for popular music in the brazilian northeast: lessons learned. NIME 2015: 277-280 - 2014
- [j12]Rodolphe Koehly, Marcelo M. Wanderley, Theodorus van de Ven, Denis Curtil:
In-House Development of Paper Force Sensors for Musical Applications. Comput. Music. J. 38(2): 22-35 (2014) - [j11]Marcelo M. Wanderley, Joseph W. Malloch:
Editors' Notes. Comput. Music. J. 38(3): 4-5 (2014) - [j10]Doug Van Nort, Marcelo M. Wanderley, Philippe Depalle:
Mapping Control Structures for Sound Synthesis: Functional and Topological Perspectives. Comput. Music. J. 38(3): 6-22 (2014) - [j9]Rodrigo A. Seger, Marcelo M. Wanderley, Alessandro L. Koerich:
Automatic detection of musicians' ancillary gestures based on video analysis. Expert Syst. Appl. 41(4): 2098-2106 (2014) - [j8]Carolina Brum Medeiros, Marcelo M. Wanderley:
A Comprehensive Review of Sensors and Instrumentation Methods in Devices for Musical Expression. Sensors 14(8): 13556-13591 (2014) - [j7]Stephen Sinclair, Marcelo M. Wanderley, Vincent Hayward:
Velocity Estimation Algorithms for Audio-Haptic Simulations Involving Stick-Slip. IEEE Trans. Haptics 7(4): 533-544 (2014) - [c73]Emma Frid, Marcello Giordano, Marlon Schumacher, Marcelo M. Wanderley:
Perceptual Characterization of a Tactile Display for a Live-Electronics Notification System. ICMC 2014 - [c72]Thor Kell, Marcelo M. Wanderley:
A High-Level Review of Mappings in Musical iOS Applications. ICMC 2014 - [c71]Vanessa Yaremchuk, Marcelo M. Wanderley:
Brahms, Bodies and Backpropagation: Artificial Neural Networks for Movement Classification in Musical Performance. MOCO 2014: 88 - [c70]Benjamin Bacon, Marcelo M. Wanderley, Fabrice Marandola:
Handedness in Percussion Sight-Reading. MOCO 2014: 112 - [c69]Ian Hattwick, Joseph W. Malloch, Marcelo M. Wanderley:
Forming Shapes to Bodies: Design for Manufacturing in the Prosthetic Instruments. NIME 2014: 443-448 - [c68]Clayton Mamedes, Mailis G. Rodrigues, Marcelo M. Wanderley, Jônatas Manzolli, Denise H. L. Garcia, Paulo Ferreira-Lopes:
Composing for DMIs Entoa, a Dedicate Piece for Intonaspacio. NIME 2014: 509-512 - [c67]Ian Hattwick, Preston Beebe, Zachary Hale, Marcelo M. Wanderley, Philippe Leroux, Fabrice Marandola:
Unsounding Objects: Audio Feature Extraction for the Control of Sound Synthesis. NIME 2014: 597-600 - 2013
- [j6]Joseph Thibodeau, Marcelo M. Wanderley:
Trumpet Augmentation and Technological Symbiosis. Comput. Music. J. 37(3): 12-25 (2013) - [c66]Joseph W. Malloch, Stephen Sinclair, Marcelo M. Wanderley:
Libmapper: (a library for connecting things). CHI Extended Abstracts 2013: 3087-3090 - [c65]Håkon Knutzen, Tellef Kvifte, Marcelo M. Wanderley:
Vibrotactile Feedback for an Open Air Music Controller. CMMR 2013: 41-57 - [c64]Mailis G. Rodrigues, Marcelo M. Wanderley, Paulo Ferreira-Lopes:
Intonaspacio: A Digital Musical Instrument for Exploring Site-Specificities in Sound. CMMR 2013: 393-415 - [c63]Marcello Giordano, Marcelo M. Wanderley:
Perceptual and Technological Issues in the Design of Vibrotactile-Augmented Interfaces for Music Technology and Media. HAID 2013: 89-98 - [c62]Flávio Luiz Schiavoni, Marcelo Queiroz, Marcelo M. Wanderley:
Alternatives in Network transport Protocols for audio Streaming Applications. ICMC 2013 - 2012
- [j5]Alexandre Bouënard, Sylvie Gibet, Marcelo M. Wanderley:
Hybrid inverse motion control for virtual characters interacting with sound synthesis - Application to percussion motion. Vis. Comput. 28(4): 357-370 (2012) - [c61]Alfonso Pérez Carrillo, Marcelo M. Wanderley:
Learning and extraction of violin instrumental controls from audio signal. MIRUM 2012: 25-30 - [c60]Marcello Giordano, Stephen Sinclair, Marcelo M. Wanderley:
Bowing a vibration-enhanced force feedback device. NIME 2012 - [c59]Ian Hattwick, Marcelo M. Wanderley:
A Dimension Space for Evaluating Collaborative Musical Performance Systems. NIME 2012 - [c58]Avrum Hollinger, Marcelo M. Wanderley:
Optoelectronic Acquisition and Control Board for Musical Applications. NIME 2012 - [c57]Olivier Tache, Stephen Sinclair, Jean-Loup Florens, Marcelo M. Wanderley:
Exploring audio and tactile qualities of instrumentality with bowed string simulations. NIME 2012 - [c56]Gabriel Vigliensoni, Marcelo M. Wanderley:
A Quantitative Comparison of Position Trackers for the Development of a Touch-less Musical Interface. NIME 2012 - 2011
- [j4]Alexandre Bouënard, Marcelo M. Wanderley, Sylvie Gibet, Fabrice Marandola:
Virtual Gesture Control and Synthesis of Music Performances: Qualitative Evaluation of Synthesized Timpani Exercises. Comput. Music. J. 35(3): 57-72 (2011) - [c55]Stephen Sinclair, Marcelo M. Wanderley, Vincent Hayward, Gary P. Scavone:
Noise-free haptic interaction with a bowed-string acoustic model. World Haptics 2011: 463-468 - [c54]Mark T. Marshall, Marcelo M. Wanderley:
Examining the Effects of Embedded Vibrotactile Feedback on the Feel of a Digital Musical Instrument. NIME 2011: 399-404 - 2010
- [c53]Avrum Hollinger, Joseph Thibodeau, Marcelo M. Wanderley:
An Embedded Hardware Platform For Fungible Interfaces. ICMC 2010 - [c52]Gabriel Vigliensoni, Marcelo M. Wanderley:
Soundcatcher: Explorations In Audio-Looping And Time-Freezing Using An Open-Air Gestural Controller. ICMC 2010
2000 – 2009
- 2009
- [j3]Stephen Sinclair, Marcelo M. Wanderley:
A run-time programmable simulator to enable multi-modal interaction with rigid-body systems. Interact. Comput. 21(1-2): 54-63 (2009) - [c51]Florian Grond, Thomas Hermann, Vincent Verfaille, Marcelo M. Wanderley:
Methods for Effective Sonification of Clarinetists' Ancillary Gestures. Gesture Workshop 2009: 171-181 - [c50]Alexandre Bouënard, Marcelo M. Wanderley, Sylvie Gibet:
Advantages and Limitations of Simulating Percussion Gestures for Sound Synthesis. ICMC 2009 - [c49]Xenia Pestova, Erika Donald, Heather Hindman, Joseph W. Malloch, Mark T. Marshall, Fernando Rocha, Stephen Sinclair, D. Andrew Stewart, Marcelo M. Wanderley, Sean Ferguson:
The CIRMMT/McGill Digital Orchestra Project. ICMC 2009 - [c48]Stephen Sinclair, Gary P. Scavone, Marcelo M. Wanderley:
Audio-Haptic Interaction with the Digital Waveguide Bowed String. ICMC 2009 - [c47]Mark Zadel, Stephen Sinclair, Marcelo M. Wanderley:
Haptic Feedback for Different Strokes Using DIMPLE. ICMC 2009