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Tamara Smyth
Person information
- affiliation: Simon Fraser University, Burnaby, Canada
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2020 – today
- 2021
- [c13]Tamara Smyth, Devansh Zurale:
On the Role of Lip Reflection/Transmission in the Relationship Between LPC and Waveguide Vocal Tract Models. WASPAA 2021: 311-315 - 2020
- [i1]Gamhewage C. de Silva, Tamara Smyth, Michael J. Lyons:
A Novel Face-tracking Mouth Controller and its Application to Interacting with Bioacoustic Models. CoRR abs/2010.03265 (2020)
2010 – 2019
- 2016
- [j2]Greg Surges, Tamara Smyth, Miller S. Puckette:
Generative Audio Systems Using Power-Preserving All-Pass Filters. Comput. Music. J. 40(1): 54-69 (2016) - 2015
- [c12]Jennifer Hsu, Tamara Smyth:
Specifying Sounding Frequency of a Voice Model during Live Interactive Saxophone Performance. ICMC 2015 - [c11]Greg Surges, Tamara Smyth, Miller S. Puckette:
Generative Feedback Networks Using Time-Varying Allpass Filters. ICMC 2015 - 2014
- [c10]Tamara Smyth, Cheng-i Wang:
Toward Real-Time Estimation of Tonehole Configuration. ICMC 2014 - 2011
- [j1]Tamara Smyth, Frederick S. Scott:
Trombone Synthesis by Model and Measurement. EURASIP J. Adv. Signal Process. 2011 (2011)
2000 – 2009
- 2009
- [c9]Tamara Smyth, Jonathan S. Abel:
Estimating the Reed Pulse from Clarinet Recordings. ICMC 2009 - 2008
- [c8]Tamara Smyth, Alireza Fathi:
Voice synthesis usingthe generalized pressure-Controlled valve. ICMC 2008 - 2007
- [c7]Tamara Smyth, Jonathan S. Abel:
Extending the generalized Reed Model with measured Reflection Functions. ICMC 2007 - 2006
- [c6]Tamara Smyth, Thomas N. Smyth, Arthur E. Kirkpatrick:
Exploring the Virtual Reed Parameter Space Using Haptic Feedback. MMSP 2006: 45-49 - [c5]Tamara Smyth:
Handheld Acoustic Filter Bank for Musical Control. NIME 2006: 314-317 - 2005
- [c4]Tamara Smyth, Jonathan S. Abel, Julius O. Smith III:
A generalized parametric Reed Model for Virtual Musical Instruments. ICMC 2005 - 2004
- [c3]Gamhewage C. de Silva, Tamara Smyth, Michael J. Lyons:
A Novel Face-tracking Mouth Controller and its Application to Interacting with Bioacoustic Models. NIME 2004: 169-172 - 2002
- [c2]Tamara Smyth, Julius O. Smith III:
Creating Sustained Tones with the Cicada's Rapid Sequential Buckling Mechanism. NIME 2002: 112-115 - 2001
- [c1]Tamara Smyth, Julius O. Smith III:
A Musical Instrument Based on a Bioacoustic Model of a Cicada. ICMC 2001
Coauthor Index
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