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Publication search results
found 149 matches
- 2014
- Yehiel Amo, Gil Zissu, Shaltiel Eloul, Eran Shlomi, Dima Schukin, Almog Kalifa:
A Max/MSP Approach for Incorporating Digital Music via Laptops in Live Performances of Music Bands. NIME 2014: 94-97 - Anders-Petter Andersson, Birgitta Cappelen, Fredrik Olofsson:
Designing Sound for Recreation and Well-Being. NIME 2014: 529-532 - Daniel Gábana Arellano, Andrew P. McPherson:
Radear: A Tangible Spinning Music Sequencer. NIME 2014: 84-85 - Adrián Barenca, Milos Corak:
The Manipuller II: Strings within a Force Sensing Ring. NIME 2014: 589-592 - Timothy J. Barraclough, Jim W. Murphy, Ajay Kapur:
New Open-Source Interfaces for Group Based Participatory Performance of Live Electronic Music. NIME 2014: 155-158 - Edgar Berdahl:
How to Make Embedded Acoustic Instruments. NIME 2014: 140-143 - Ilias Bergstrom, Joan Llobera:
OSC-Namespace and OSC-State: Schemata for Describing the Namespace and State of OSC-Enabled Systems. NIME 2014: 311-314 - Axel Berndt, Nadia Al-Kassab, Raimund Dachselt:
TouchNoise: A Particle-based Multitouch Noise Modulation Interface. NIME 2014: 323-326 - Florent Berthaut, Jarrod Knibbe:
Wubbles: A Collaborative Ephemeral Musical Instrument. NIME 2014: 499-500 - John Bowers, Annika Haas:
Hybrid Resonant Assemblages: Rethinking Instruments, Touch and Performance in New Interfaces for Musical Expression. NIME 2014: 7-12 - John Bowers, Tim Shaw:
Reappropriating Museum Collections: Performing Geology Specimens and Meterology Data as New Instruments for Musical Expression. NIME 2014: 175-178 - Oliver Bown, Renick Bell, Adam Parkinson:
Examining the Perception of Liveness and Activity in Laptop Music: Listeners' Inference about what the Performer is Doing from the Audio Alone. NIME 2014: 13-18 - Mason Bretan, Gil Weinberg:
Chronicles of a Robotic Musical Companion. NIME 2014: 315-318 - Tim Murray Browne, Dom Aversano, Susanna Garcia, Wallace Hobbes, Daniel Lopez, Tadeo Sendon, Panagiotis Tigas, Kacper Ziemianin, Duncan Chapman:
The Cave of Sounds: An Interactive Installation Exploring How We Create Music Together. NIME 2014: 307-310 - Tim Murray Browne, Mark D. Plumbley:
Harmonic Motion: A Toolkit for Processing Gestural Data for Interactive Sound. NIME 2014: 213-216 - Ivica Ico Bukvic:
Pd-L2Ork Raspberry Pi Toolkit as a Comprehensive Arduino Alternative in K-12 and Production Scenarios. NIME 2014: 163-166 - Rob Canning:
Interactive Parallax Scrolling Score Interface for Composed Networked Improvisation. NIME 2014: 144-146 - Mark Cartwright, Bryan Pardo:
SynthAssist: Querying an Audio Synthesizer by Vocal Imitation. NIME 2014: 363-366 - Regina Collecchia, Dan Somen, Kevin McElroy:
The Siren Organ. NIME 2014: 391-394 - Nick Collins, Alex McLean:
Algorave: A Survey of the History, Aesthetics and Technology of Live Performance of Algorithmic Electronic Dance Music. NIME 2014: 355-358 - Josep M. Comajuncosas, Enric Guaus:
Conducting Collective Instruments : A Case Study. NIME 2014: 513-516 - Luke Dahl:
Triggering Sounds from Discrete Air Gestures: What Movement Feature Has the Best Timing? NIME 2014: 201-206 - Palle Dahlstedt:
Circle Squared and Circle Keys Performing on and with an Unstable Live Algorithm for the Disklavier. NIME 2014: 114-117 - Palle Dahlstedt, Patrik Karlsson, Katarina Widell, Tony Blomdahl:
YouHero Making an Expressive Concert Instrument from the GuitarHero Controller. NIME 2014: 403-406 - Matthew E. P. Davies, Adam M. Stark, Fabien Gouyon, Masataka Goto:
Improvasher: A Real-Time Mashup System for Live Musical Input. NIME 2014: 541-544 - Jun-qi Deng, Francis Chi-Moon Lau, Ho-Cheung Ng, Yu-Kwong Kwok, Hung-Kwan Chen, Yuheng Liu:
WIJAM: A Mobile Collaborative Improvisation Platform under Master-players Paradigm. NIME 2014: 407-410 - Haojing Diao, Yanchao Zhou, Christopher Andrew Harte, Nick Bryan-Kinns:
Sketch-Based Musical Composition and Performance. NIME 2014: 569-572 - Carlos Domínguez:
16-CdS: A Surface Controller for the Simultaneous Manipulation of Multiple Analog Components. NIME 2014: 78-79 - Liam Donovan, Andrew P. McPherson:
The Talking Guitar: Headstock Tracking and Mapping Strategies. NIME 2014: 351-354 - Gershon Dublon, Joseph A. Paradiso:
FingerSynth: Wearable Transducers for Exploring the Environment and Playing Music Everywhere. NIME 2014: 134-135
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