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ORCID11. CMMR 2015: Plymouth, UK
- Richard Kronland-Martinet, Mitsuko Aramaki, Sølvi Ystad:
Music, Mind, and Embodiment - 11th International Symposium, CMMR 2015, Plymouth, UK, June 16-19, 2015, Revised Selected Papers. Lecture Notes in Computer Science 9617, 2016, ISBN 978-3-319-46281-3
Sound, Motion and Gesture
- Luke Dahl:
Comparing the Timing of Movement Events for Air-Drumming Gestures. 3-21 - Jocelyn Rozé, Mitsuko Aramaki, Richard Kronland-Martinet, Thierry Voinier, Christophe Bourdin
, Delphine Chadefaux, Marvin Dufrenne, Sølvi Ystad:
Assessing the Influence of Constraints on Cellists' Postural Displacements and Musical Expressivity. 22-41 - Luiz Naveda, Isabel C. Martínez, Javier Damesón, Alejandro Pereira Ghiena, Romina Herrera, Manuel Alejandro Ordás:
Musical Meter, Rhythm and the Moving Body: Designing Methods for the Analysis of Unconstrained Body Movements. 42-57 - Mari Romarheim Haugen, Kristian Nymoen:
Evaluating Input Devices for Dance Research. 58-70 - Alfonso Pérez Carrillo, Josep Lluís Arcos, Marcelo M. Wanderley:
Estimation of Guitar Fingering and Plucking Controls Based on Multimodal Analysis of Motion, Audio and Musical Score. 71-87 - Federico Visi, Esther Coorevits, Rodrigo Schramm, Eduardo Reck Miranda:
Analysis of Mimed Violin Performance Movements of Neophytes - Patterns, Periodicities, Commonalities and Individualities. 88-108
Digital Musical Instruments, Embodiment and Performance
- Jan C. Schacher, Patrick Neff:
Skill Development and Stabilisation of Expertise for Electronic Music Performance. 111-131 - Joel Eaton, Eduardo R. Miranda:
The Hybrid Brain Computer Music Interface - Integrating Brainwave Detection Methods for Extended Control in Musical Performance Systems. 132-145 - Joanne L. Armitage, Kia Ng:
Feeling Sound: Exploring a Haptic-Audio Relationship. 146-152 - Florent Berthaut, Luke Dahl:
BOEUF: A Unified Framework for Modeling and Designing Digital Orchestras. 153-166 - Esther Coorevits, Dirk Moelants, Stefan Östersjö, David Gorton, Marc Leman:
Decomposing a Composition: On the Multi-layered Analysis of Expressive Music Performance. 167-189 - Rodrigo Schramm, Helena de Souza Nunes, Leonardo de Assis Nunes, Federico Visi, Eduardo R. Miranda:
3CMS: An Interactive Decision System for Live Performance. 190-210
Composition Tools
- Louis Bigo, Darrell Conklin:
A Viewpoint Approach to Symbolic Music Transformation. 213-227 - Mads Walther-Hansen:
Balancing Audio: Towards a Cognitive Structure of Sound Interaction in Music Production. 228-242 - Gilberto Bernardes, Diogo Cocharro, Carlos Guedes, Matthew E. P. Davies:
Conchord: An Application for Generating Musical Harmony by Navigating in the Tonal Interval Space. 243-260 - Johan Loeckx:
Musical Variation and Improvisation Based on Multi-resolution Representations. 261-270 - Edward Braund, Eduardo R. Miranda:
Music with Unconventional Computing: Granular Synthesis with the Biological Computing Substrate Physarum Polycephalum. 271-280
Data Mining, Music Information Retrieval and Artificial Intelligence
- Kristoffer Jensen, David G. Hebert:
Evaluation and Prediction of Harmonic Complexity Across 76 Years of Billboard 100 Hits. 283-296 - Jordan R. Ubbens, David Gerhard:
Information Rate for Fast Time-Domain Instrument Classification. 297-308 - Li Su, Yi-Hsuan Yang:
Escaping from the Abyss of Manual Annotation: New Methodology of Building Polyphonic Datasets for Automatic Music Transcription. 309-321 - Shengchen Li, Dawn A. A. Black, Mark D. Plumbley:
The Clustering of Expressive Timing Within a Phrase in Classical Piano Performances by Gaussian Mixture Models. 322-345 - Konstantinos Trochidis, Simon Lui:
Modeling Affective Responses to Music Using Audio Signal Analysis and Physiology. 346-357 - Emery Schubert, Marcus T. Pearce:
A New Look at Musical Expectancy: The Veridical Versus the General in the Mental Organization of Music. 358-370
Music Analysis, Music Generation and Emotion
- Hans T. Zeiner-Henriksen:
Emotional Experiences of Ascending Melodic Lines. 373-386 - Masatoshi Hamanaka, Keiji Hirata, Satoshi Tojo:
\sigma GTTM III: Learning-Based Time-Span Tree Generator Based on PCFG. 387-404 - Edward Braund, Eduardo R. Miranda:
BioComputer Music: Generating Musical Responses with Physarum polycephalum-Based Memristors. 405-419 - Steven Jan:
'Understood at Last'?: A Memetic Analysis of Beethoven's 'Bloody Fist'. 420-437 - Alexis Kirke, Belinda Dixon, Eduardo R. Miranda:
Music and Dementia: Two Case-Studies. 438-448 - Daniel Gómez-Marín, Sergi Jordà, Perfecto Herrera:
Strictly Rhythm: Exploring the Effects of Identical Regions and Meter Induction in Rhythmic Similarity Perception. 449-463 - Luiz Naveda, Isabel C. Martínez, Javier Damesón, Alejandro Pereira Ghiena, Romina Herrera, Manuel Alejandro Ordás:
Cross-Cultural Comparisons of Unconstrained Body Responses to Argentinian and Afro-Brazilian Music. 464-482
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