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Computer Music Journal, Volume 35
Volume 35, Number 1, Spring 2011
- Nils Peters
, Georgios N. Marentakis
, Stephen McAdams
:
Current Technologies and Compositional Practices for Spatialization: A Qualitative and Quantitative Analysis. 10-27
- M. Sile O'Modhrain:
A Framework for the Evaluation of Digital Musical Instruments. 28-42 - R. Brent Gillespie
, Bo Yu
, Robert Grijalva, Shorya Awtar:
Characterizing the Feel of the Piano Action. 43-57
- Gustavo Colmenares
, René Escalante, Juan F. Sans
, Rina Surós:
Computational Modeling of Reproducing-Piano Rolls. 58-75
- Peter F. Driessen, Thomas E. Darcie, Bipin Pillay:
The Effects of Network Delay on Tempo in Musical Performance. 76-89
- Freya Bailes
, Roger T. Dean
:
The Perceived Affective Expression of Computer-Manipulated Sung Sounds. 90-104 - Margaret Schedel:
Roger T. Dean, Editor: Oxford Handbook of Computer Music. 105-107 - James Harley:
Évelyne Gayou, Editor: Denis Smalley: Polychrome Portraits No. 15. 107-109 - Ross Feller:
Melia Watras: Prestidigitation. 109-111 - James Harley:
Henk Badings: More Electronic Music. 111-112
Volume 35, Number 2, Summer 2011
- Jason Freeman
, Akito van Troyer:
Collaborative Textual Improvisation in a Laptop Ensemble. 8-21 - Pieter-Jan Maes
, Marc Leman, Katty Kochman, Micheline Lesaffre, Michiel Demey:
The "One-Person Choir": A Multidisciplinary Approach to the Development of an Embodied Human-Computer Interface. 22-35
- Antti Jylhä
, Inger Ekman, Cumhur Erkut
, Koray Tahiroglu:
Design and Evaluation of Human-Computer Rhythmic Interaction in a Tutoring System. 36-48
- Andrew Choi:
Jazz Harmonic Analysis as Optimal Tonality Segmentation. 49-66
- Carlos Agón, Jean Bresson, Marco Stroppa:
OMChroma: Compositional Control of Sound Synthesis. 67-83 - KatieAnna Wolf:
The Eleventh International Society for Music Information Retrieval Conference (ISMIR 2010). 84-86 - Silvia Matheus:
KISS 2010: Kyma International Sound Symposium. 86-90 - James Harley:
XVIII Colloquio di Informatica Musicale: Prossime distanze. 90-92 - Michael Boyd:
John Luther Adams: The Place Where You Go to Listen: In Search of an Ecology of Music. 92-95
Volume 35, Number 3, Fall 2011
- Niklas Lindroos, Henri Penttinen, Vesa Välimäki
:
Parametric Electric Guitar Synthesis. 18-27 - Luc Döbereiner:
Models of Constructed Sound: Nonstandard Synthesis as an Aesthetic Perspective. 28-39
- Christopher Ariza:
Two Pioneering Projects from the Early History of Computer-Aided Algorithmic Composition. 40-56
- Alexandre Bouënard, Marcelo M. Wanderley
, Sylvie Gibet, Fabrice Marandola:
Virtual Gesture Control and Synthesis of Music Performances: Qualitative Evaluation of Synthesized Timpani Exercises. 57-72 - Oliver Bown:
Experiments in Modular Design for the Creative Composition of Live Algorithms. 73-85
- Ofer Dor, Yoram Reich
:
An Evaluation of Musical Score Characteristics for Automatic Classification of Composers. 86-97 - Dimitri Voudouris:
EMusic Indaba 2010: Home Made - Hand Made. 98-100 - Margaret Schedel:
Chris Salter: Entangled: Technology and the Transformation of Performance. 100-102 - Mary Simoni:
Tara Rodgers: Pink Noises: Women on Electronic Music and Sound. 102-103 - Ian Whalley:
Ron Herrema: Changing Weights. 103-104 - Jim Phelps:
CDCM Computer Music Series Volume 38: Music from Bowling Green State University, MidAmerican Center for Contemporary Music. 105-106
Volume 35, Number 4, Winter 2011
- Sasha Leitman:
Trimpin: An Interview. 12-27 - Laura Maes, Godfried-Willem Raes, Troy Rogers:
The Man and Machine Robot Orchestra at Logos. 28-48 - Ajay Kapur, Michael Darling, Dimitri Diakopoulos, Jim W. Murphy, Jordan Hochenbaum, Owen Vallis, Curtis Bahn:
The Machine Orchestra: An Ensemble of Human Laptop Performers and Robotic Musical Instruments. 49-63
- Ching-Hua Chuan, Elaine Chew
:
Generating and Evaluating Musical Harmonizations That Emulate Style. 64-82
- Konstantinos Trohidis, Leontios J. Hadjileontiadis
:
Tempo Induction from Music Recordings Using Ensemble Empirical Mode Decomposition Analysis. 83-97 - Jordan B. L. Smith, Isaac Schankler:
The Third International Conference on Mathematics and Computation in Music. 98-99 - Douglas Geers:
Dan Hosken: An Introduction to Music Technology. 99-101 - Elizabeth Hinkle-Turner:
Priscilla McLean: Cries and Echoes. 101-103 - Michael Boyd:
Space/Sound: Multichannel Electroacoustic Music by Thomas DeLio, Thomas Licata, Agostino Di Scipio, Kristian Twombly, Kees Tazelaar, and Linda Dusman. 103-105
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