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ORCIDMagdalena Fuentes
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2020 – today
- 2024
[j3]Lucas S. Maia
, Martín Rocamora, Luiz W. P. Biscainho, Magdalena Fuentes:
Selective Annotation of Few Data for Beat Tracking of Latin American Music Using Rhythmic Features. Trans. Int. Soc. Music. Inf. Retr. 7(1): 99-112 (2024)- [c22]Lloyd May, Keita Ohshiro, Khang Dang, Sripathi Sridhar, Jhanvi Pai, Magdalena Fuentes, Sooyeon Lee, Mark Cartwright:
Unspoken Sound: Identifying Trends in Non-Speech Audio Captioning on YouTube. CHI 2024: 57:1-57:19 - [i13]Xavier Juanola, Gloria Haro, Magdalena Fuentes:
A Critical Assessment of Visual Sound Source Localization Models Including Negative Audio. CoRR abs/2410.01020 (2024) - 2023
- [c21]Mark Cartwright, Magdalena Fuentes, Charlie Mydlarz, Fabio Miranda, Juan Pablo Bello:
Does a Quieter City Mean Fewer Complaints? The Sounds of New York City During Covid-19 Lockdown. ICASSP 2023: 1-5 - [c20]Giovana Morais, Matthew E. P. Davies, Marcelo Queiroz, Magdalena Fuentes:
Tempo vs. Pitch: Understanding Self-Supervised Tempo Estimation. ICASSP 2023: 1-5 - [c19]Rajsuryan Singh, Pablo Zinemanas, Xavier Serra, Juan Pablo Bello, Magdalena Fuentes:
Flowgrad: Using Motion for Visual Sound Source Localization. ICASSP 2023: 1-5 - [c18]Saksham Singh Kushwaha, Magdalena Fuentes:
A multimodal prototypical approach for unsupervised sound classification. INTERSPEECH 2023: 266-270 - [c17]Saksham Singh Kushwaha, Irán R. Román, Magdalena Fuentes, Juan Pablo Bello:
Sound Source Distance Estimation in Diverse and Dynamic Acoustic Conditions. WASPAA 2023: 1-5 - [c16]Julia Wilkins, Justin Salamon, Magdalena Fuentes, Juan Pablo Bello, Oriol Nieto:
Bridging High-Quality Audio and Video Via Language for Sound Effects Retrieval from Visual Queries. WASPAA 2023: 1-5 - [i12]Giovana Morais, Matthew E. P. Davies, Marcelo Queiroz, Magdalena Fuentes:
Tempo vs. Pitch: understanding self-supervised tempo estimation. CoRR abs/2304.06868 (2023) - [i11]Lucas S. Maia, Martín Rocamora, Luiz W. P. Biscainho, Magdalena Fuentes:
Adapting Meter Tracking Models to Latin American Music. CoRR abs/2304.07186 (2023) - [i10]Saksham Singh Kushwaha, Magdalena Fuentes:
A Multimodal Prototypical Approach for Unsupervised Sound Classification. CoRR abs/2306.12300 (2023) - [i9]Julia Wilkins, Justin Salamon, Magdalena Fuentes, Juan Pablo Bello, Oriol Nieto:
Bridging High-Quality Audio and Video via Language for Sound Effects Retrieval from Visual Queries. CoRR abs/2308.09089 (2023) - [i8]Saksham Singh Kushwaha, Irán R. Román, Magdalena Fuentes, Juan Pablo Bello:
Sound Source Distance Estimation in Diverse and Dynamic Acoustic Conditions. CoRR abs/2309.09288 (2023) - [i7]Julia Wilkins, Magdalena Fuentes, Luca Bondi, Shabnam Ghaffarzadegan, Ali Abavisani, Juan Pablo Bello:
Two vs. Four-Channel Sound Event Localization and Detection. CoRR abs/2309.13343 (2023) - 2022
- [j2]Yurii Piadyk, Bea Steers, Charlie Mydlarz, Mahin Salman, Magdalena Fuentes, Junaid Ahmed Khan, Hong Jiang, Kaan Ozbay, Juan Pablo Bello, Cláudio T. Silva:
REIP: A Reconfigurable Environmental Intelligence Platform and Software Framework for Fast Sensor Network Prototyping. Sensors 22(10): 3809 (2022) - [c15]Sangeeta Srivastava, Ho-Hsiang Wu, João Rulff, Magdalena Fuentes, Mark Cartwright, Cláudio T. Silva, Anish Arora, Juan Pablo Bello:
A Study on Robustness to Perturbations for Representations of Environmental Sound. EUSIPCO 2022: 125-129 - [c14]Magdalena Fuentes, Bea Steers, Pablo Zinemanas, Martín Rocamora, Luca Bondi, Julia Wilkins, Qianyi Shi, Yao Hou, Samarjit Das, Xavier Serra, Juan Pablo Bello:
Urban Sound & Sight: Dataset And Benchmark For Audio-Visual Urban Scene Understanding. ICASSP 2022: 141-145 - [c13]Ho-Hsiang Wu, Magdalena Fuentes, Prem Seetharaman, Juan Pablo Bello:
How to Listen? Rethinking Visual Sound Localization. INTERSPEECH 2022: 876-880 - [c12]Lucas S. Maia, Martín Rocamora, Luiz W. P. Biscainho, Magdalena Fuentes:
Adapting meter tracking models to Latin American music. ISMIR 2022: 361-368 - [i6]Sangeeta Srivastava, Ho-Hsiang Wu, João Rulff, Magdalena Fuentes, Mark Cartwright, Cláudio T. Silva, Anish Arora, Juan Pablo Bello:
A Study on Robustness to Perturbations for Representations of Environmental Sound. CoRR abs/2203.10425 (2022) - [i5]Ho-Hsiang Wu, Magdalena Fuentes, Prem Seetharaman, Juan Pablo Bello:
How to Listen? Rethinking Visual Sound Localization. CoRR abs/2204.05156 (2022) - [i4]Rajsuryan Singh, Pablo Zinemanas, Xavier Serra, Juan Pablo Bello, Magdalena Fuentes:
FlowGrad: Using Motion for Visual Sound Source Localization. CoRR abs/2211.08367 (2022) - 2021
- [c11]Magdalena Fuentes, Danielle Zhao, Vincent Lostanlen, Mark Cartwright, Charlie Mydlarz, Juan Pablo Bello:
MONYC: Music of New York City Dataset. DCASE 2021: 191-195 - [e1]Frederic Font, Annamaria Mesaros, Daniel P. W. Ellis, Eduardo Fonseca, Magdalena Fuentes, Benjamin Elizalde:
Proceedings of the 6th Workshop on Detection and Classification of Acoustic Scenes and Events 2021 (DCASE 2021), Online, November 15-19, 2021. 2021, ISBN 978-84-09-36072-7 [contents] - [i3]Ho-Hsiang Wu, Magdalena Fuentes, Juan Pablo Bello:
Exploring modality-agnostic representations for music classification. CoRR abs/2106.01149 (2021) - [i2]Magdalena Fuentes, Justin Salamon, Pablo Zinemanas, Martín Rocamora, Genís Paja, Irán R. Román, Rachel M. Bittner, Marius Miron, Xavier Serra, Juan Pablo Bello:
Soundata: A Python library for reproducible use of audio datasets. CoRR abs/2109.12690 (2021) - 2020
- [c10]Mark Cartwright, Jason Cramer, Ana Elisa Méndez Méndez, Yu Wang, Ho-Hsiang Wu, Vincent Lostanlen, Magdalena Fuentes, Graham Dove, Charlie Mydlarz, Justin Salamon, Oded Nov, Juan Pablo Bello:
SONYC-UST-V2: An Urban Sound Tagging Dataset with Spatiotemporal Context. DCASE 2020: 16-20 - [c9]Matthew E. P. Davies, Magdalena Fuentes, João Fonseca, Luís Aly, Marco Jerónimo, Filippo Bonini Baraldi:
Moving in Time: Computational Analysis of Microtiming in Maracatu de Baque Solto. ISMIR 2020: 795-802 - [i1]Mark Cartwright, Jason Cramer, Ana Elisa Méndez Méndez, Yu Wang, Ho-Hsiang Wu, Vincent Lostanlen, Magdalena Fuentes, Graham Dove, Charlie Mydlarz, Justin Salamon, Oded Nov, Juan Pablo Bello:
SONYC-UST-V2: An Urban Sound Tagging Dataset with Spatiotemporal Context. CoRR abs/2009.05188 (2020)
2010 – 2019
- 2019
- [b1]Magdalena Fuentes:
Multi-scale computational rhythm analysis : a framework for sections, downbeats, beats, and microtiming. (Analyse numérique multi-échelle du rythme musical : un cadre unifié pour les sections, premiers temps, temps et microtiming). University of Paris-Saclay, France, 2019 - [c8]Magdalena Fuentes, Brian McFee, Hélène C. Crayencour, Slim Essid, Juan Pablo Bello:
A Music Structure Informed Downbeat Tracking System Using Skip-chain Conditional Random Fields and Deep Learning. ICASSP 2019: 481-485 - [c7]Rachel M. Bittner, Magdalena Fuentes, David Rubinstein, Andreas Jansson, Keunwoo Choi, Thor Kell:
mirdata: Software for Reproducible Usage of Datasets. ISMIR 2019: 99-106 - [c6]Magdalena Fuentes, Lucas Maia, Martín Rocamora, Luiz W. P. Biscainho, Hélène Camille Crayencour, Slim Essid, Juan Pablo Bello:
Tracking Beats and Microtiming in Afro-Latin American Music Using Conditional Random Fields and Deep Learning. ISMIR 2019: 251-258 - [c5]Lucas Maia, Magdalena Fuentes, Luiz W. P. Biscainho, Martín Rocamora, Slim Essid:
SAMBASET: A Dataset of Historical Samba de Enredo Recordings for Computational Music Analysis. ISMIR 2019: 628-635 - 2018
- [j1]Pablo Zinemanas, Magdalena Fuentes, Pablo Cancela, José Antonio Apolinário:
An ENF-Based Audio Authenticity Method Robust to MP3 Compression. Circuits Syst. Signal Process. 37(11): 4973-4992 (2018) - [c4]Magdalena Fuentes, Brian McFee, Hélène C. Crayencour, Slim Essid, Juan Pablo Bello:
Analysis of Common Design Choices in Deep Learning Systems for Downbeat Tracking. ISMIR 2018: 106-112 - 2016
- [c3]Alvaro Gómez, Guillermo Carbajal, Magdalena Fuentes, Carolina Viñoles:
Detection of Follicles in Ultrasound Videos of Bovine Ovaries. CIARP 2016: 352-359 - [c2]Magdalena Fuentes, Pablo Zinemanas, Pablo Cancela, José Antonio Apolinário:
Detection of ENF discontinuities using PLL for audio authenticity. LASCAS 2016: 79-82 - 2015
- [c1]Bernardo Marenco, Magdalena Fuentes, Florencia Lanzaro, Martín Rocamora, Alvaro Gómez:
A Multimodal Approach for Percussion Music Transcription from Audio and Video. CIARP 2015: 92-99
Coauthor Index
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last updated on 2024-11-06 20:27 CET by the dblp team
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