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2020 – today
- 2024
[c19]Jake Drysdale, Jason Hockman:
Latent Space Exploration for Drum Samples. CBMI 2024: 1-7- 2023
- [c18]Maciej Tomczak
, Jason Hockman:
Onset Detection for String Instruments Using Bidirectional Temporal and Convolutional Recurrent Networks. Audio Mostly Conference 2023: 136-142 - [c17]Zih-Syuan Yang, Jason Hockman:
A Plugin for Neural Audio Synthesis of Impact Sound Effects. Audio Mostly Conference 2023: 143-146 - 2022
- [c16]Mattia Colombo, Alan Dolhasz, Jason Hockman, Carlo Harvey:
Acoustic Rendering Based on Geometry Reduction and Acoustic Material Classification. CoG 2022: 409-416 - [i1]Maciej Tomczak, Min Susan Li, Adrian Bradbury, Mark Elliott, Ryan Stables, Maria Witek, Tom Goodman, Diar Abdlkarim, Massimiliano Di Luca, Alan Wing, Jason Hockman:
Annotation of Soft Onsets in String Ensemble Recordings. CoRR abs/2211.08848 (2022) - 2021
- [c15]Mattia Colombo, Alan Dolhasz, Jason Hockman, Carlo Harvey:
Psychometric Mapping of Audio Features to Perceived Physical Characteristics of Virtual Objects. CoG 2021: 1-4 - 2020
- [c14]Maciej Tomczak, Masataka Goto, Jason Hockman:
Drum Synthesis and Rhythmic Transformation with Adversarial Autoencoders. ACM Multimedia 2020: 2427-2435
2010 – 2019
- 2018
- [j1]Chih-Wei Wu, Christian Dittmar, Carl Southall, Richard Vogl, Gerhard Widmer, Jason Hockman, Meinard Müller, Alexander Lerch:
A Review of Automatic Drum Transcription. IEEE ACM Trans. Audio Speech Lang. Process. 26(9): 1457-1483 (2018) - [c13]Carl Southall, Ryan Stables, Jason Hockman:
Player Vs Transcriber: A Game Approach To Data Manipulation For Automatic Drum Transcription. ISMIR 2018: 58-65 - [c12]Carl Southall, Ryan Stables, Jason Hockman:
Improving Peak-picking Using Multiple Time-step Loss Functions. ISMIR 2018: 313-320 - 2017
- [c11]Jason Hockman, Joseph Thibodeau:
Games Without Frontiers: Audio Games for Music Production and Performance. CMMR 2017: 171-183 - [c10]Balandino Di Donato, James Dooley, Jason Hockman, Jamie Bullock, Simon Hall:
MyoSpat: A hand-gesture controlled system for sound and light projections manipulation. ICMC 2017 - [c9]Carl Southall, Ryan Stables, Jason Hockman:
Automatic Drum Transcription for Polyphonic Recordings Using Soft Attention Mechanisms and Convolutional Neural Networks. ISMIR 2017: 606-612 - [c8]Spyridon Stasis, Jason Hockman, Ryan Stables:
Navigating descriptive sub-representations of musical timbre. NIME 2017: 56-61 - 2016
- [c7]Carl Southall, Ryan Stables, Jason Hockman:
Automatic Drum Transcription Using Bi-Directional Recurrent Neural Networks. ISMIR 2016: 591-597 - 2012
- [c6]Jason Hockman, Matthew E. P. Davies, Ichiro Fujinaga:
One in the Jungle: Downbeat Detection in Hardcore, Jungle, and Drum and Bass. ISMIR 2012: 169-174 - 2010
- [c5]Cory McKay, John Ashley Burgoyne, Jason Hockman, Jordan B. L. Smith, Gabriel Vigliensoni, Ichiro Fujinaga:
Evaluating the Genre Classification Performance of Lyrical Features Relative to Audio, Symbolic and Cultural Features. ISMIR 2010: 213-218 - [c4]Jason Hockman, Ichiro Fujinaga:
Fast vs Slow: Learning Tempo Octaves from User Data. ISMIR 2010: 231-236 - [c3]Zhonghua Li, Qiaoliang Xiang, Jason Hockman, Jianqing Yang, Yu Yi, Ichiro Fujinaga, Ye Wang:
A music search engine for therapeutic gait training. ACM Multimedia 2010: 627-630
2000 – 2009
- 2009
- [c2]Jason Hockman, Marcelo M. Wanderley, Ichiro Fujinaga:
Real-Time Phase Vocoder Manipulation by Runner's Pace. NIME 2009: 90-93 - 2008
- [c1]Laurent Pugin, Jason Hockman, John Ashley Burgoyne, Ichiro Fujinaga:
Gamera Versus Aruspix: Two Optical Music Recognition Approaches. ISMIR 2008: 419-424
Coauthor Index
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