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ORCIDAsteris I. Zacharakis
Person information
- affiliation: Aristotle University of Thessaloniki, School of Music Studies
- affiliation: Queen Mary University of London, Centre for Digital Music
- affiliation: City University London, Department of Music
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2020 – today
- 2024
[c8]Maximos A. Kaliakatsos-Papakostas
, Asteris I. Zacharakis, Konstantinos Velenis, Emilios Cambouropoulos:
Rebetiko Singer Identification: Fine-tuning and explaining deep pretrained transformer models. Audio Mostly Conference 2024: 285-291
2010 – 2019
- 2019
- [j3]Marcelo F. Caetano, Asterios I. Zacharakis, Isabel Barbancho, Lorenzo J. Tardón:
Leveraging diversity in computer-aided musical orchestration with an artificial immune system for multi-modal optimization. Swarm Evol. Comput. 50 (2019) - 2018
- [p1]Maximos A. Kaliakatsos-Papakostas, Asterios I. Zacharakis, Emilios Cambouropoulos:
Conceptual Blending in Melodic Harmonisation: Development and Empirical Evaluation in the Case of the CHAMELEON System. Concept Invention 2018: 241-274 - 2016
- [c7]Maximos A. Kaliakatsos-Papakostas, Roberto Confalonieri, Joseph Corneli, Asterios I. Zacharakis, Emilios Cambouropoulos:
An Argument-based Creative Assistant for Harmonic Blending. ICCC 2016: 330-337 - [c6]Maximos A. Kaliakatsos-Papakostas, Dimos Makris, Asterios I. Zacharakis, Costas Tsougras, Emilios Cambouropoulos:
Learning and Blending Harmonies in the Context of a Melodic Harmonisation Assistant. AIAI 2016: 520-527 - [c5]Maximos A. Kaliakatsos-Papakostas, Asterios I. Zacharakis, Costas Tsougras, Emilios Cambouropoulos:
Modelling Cadence Perception Via Musical Parameter Tuning to Perceptual Data. AIAI 2016: 552-561 - [i1]Maximos A. Kaliakatsos-Papakostas, Roberto Confalonieri, Joseph Corneli, Asterios I. Zacharakis, Emilios Cambouropoulos:
An Argument-based Creative Assistant for Harmonic Blending. CoRR abs/1603.01770 (2016) - 2015
- [c4]Asterios I. Zacharakis, Konstantinos Pastiadis:
A confirmatory approach of the Luminance-Texture-Mass model for musical timbre semantics. Audio Mostly Conference 2015: 39:1-39:5 - [c3]Asterios I. Zacharakis, Maximos A. Kaliakatsos-Papakostas, Emilios Cambouropoulos:
Conceptual Blending in Music Cadences: A Formal Model and Subjective Evaluation. ISMIR 2015: 141-147 - [c2]Maximos A. Kaliakatsos-Papakostas, Asterios I. Zacharakis, Costas Tsougras, Emilios Cambouropoulos:
Evaluating the General Chord Type Representation in Tonal Music and Organising GCT Chord Labels in Functional Chord Categories. ISMIR 2015: 427-433 - 2011
- [j2]Stelios Hadjidimitriou, Asteris I. Zacharakis, Panagiotis Doulgeris, Konstantinos I. Panoulas, Leontios J. Hadjileontiadis, Stavros M. Panas:
Revealing Action Representation Processes in Audio Perception Using Fractal EEG Analysis. IEEE Trans. Biomed. Eng. 58(4): 1120-1129 (2011) - [c1]Asteris I. Zacharakis, Konstantinos Pastiadis, Georgios Papadelis, Joshua D. Reiss:
An Investigation of Musical Timbre: Uncovering Salient Semantic Descriptors and Perceptual Dimensions. ISMIR 2011: 807-812 - 2010
- [j1]Stelios Hadjidimitriou, Asteris I. Zacharakis, Panagiotis Doulgeris, Konstantinos I. Panoulas, Leontios J. Hadjileontiadis, Stavros M. Panas:
Sensorimotor cortical response during motion reflecting audiovisual stimulation: evidence from fractal EEG analysis. Medical Biol. Eng. Comput. 48(6): 561-572 (2010)
Coauthor Index
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