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2020 – today
- 2022
[c18]Florent Berthaut
, Luke Dahl:
The Effect of Visualisation Level and Situational Visibility in Co-located Digital Musical Ensembles. NIME 2022- 2021
- [j2]Anna N. Baglione, Michael Paul Clemens, Juan F. Maestre, Aehong Min, Luke Dahl, Patrick C. Shih:
Understanding the Technological Practices and Needs of Music Therapists. Proc. ACM Hum. Comput. Interact. 5(CSCW1): 33:1-33:25 (2021) - 2020
- [c17]Mitchell Tillman, Luke Dahl, Christopher B. Knowlton, Antonia Zaferiou:
Real-Time Optical Motion Capture Balance Sonification System. MOCO 2020: 25:1-25:4 - [c16]Florent Berthaut, Luke Dahl:
Adapting & Openness: Dynamics of Collaboration Interfaces for Heterogeneous Digital Orchestras. NIME 2020: 77-82
2010 – 2019
- 2019
- [c15]Luke Dahl, Antonia Zaferiou, Christopher Knowlton:
Developing real-time sonification with optical motion capture to convey balance-related metrics to dancers. MOCO 2019: 26:1-26:6 - 2018
- [c14]Luke Dahl, Federico Visi:
Modosc: A Library of Real-Time Movement Descriptors for Marker-Based Motion Capture. MOCO 2018: 14:1-14:4 - [c13]Ben Luca Robertson, Luke Dahl:
Harmonic Wand: An Instrument for Microtonal Control and Gestural Excitation. NIME 2018: 72-77 - [c12]Federico Visi, Luke Dahl:
Real-Time Motion Capture Analysis and Music Interaction with the Modosc Descriptor Library. NIME 2018: 144-147 - 2017
- [c11]Luke Dahl, Florent Berthaut, Antoine Nau, Patricia Plénacoste:
bf-pd: Enabling Mediated Communication and Cooperation in Improvised Digital Orchestras. CMMR 2017: 454-467 - [c10]Luke Dahl, Jon Bellona, Lin Bai, Amy LaViers:
Data-Driven Design of Sound for Enhancing the Perception of Expressive Robotic Movement. MOCO 2017: 16:1-16:8 - 2015
- [j1]Luke Dahl:
Studying the Timing of Discrete Musical Air Gestures. Comput. Music. J. 39(2): 47-66 (2015) - [c9]Luke Dahl:
Comparing the Timing of Movement Events for Air-Drumming Gestures. CMMR 2015: 3-21 - [c8]Florent Berthaut, Luke Dahl:
BOEUF: A Unified Framework for Modeling and Designing Digital Orchestras. CMMR 2015: 153-166 - 2014
- [c7]Luke Dahl:
Triggering Sounds from Discrete Air Gestures: What Movement Feature Has the Best Timing? NIME 2014: 201-206 - 2012
- [c6]Luke Dahl:
Wicked Problems and Design Considerations in Composing for Laptop Orchestra. NIME 2012 - [c5]Luke Dahl, Sébastien Robaszkiewicz:
For novices playing music together, adding structural constraints leads to better music and may improve user experience. UIST (Adjunct Volume) 2012: 85-86 - 2011
- [c4]Luke Dahl, Jorge Herrera, Carr Wilkerson:
TweetDreams: Making Music with the Audience and the World using Real-time Twitter Data. NIME 2011: 272-275 - 2010
- [c3]Jieun Oh, Jorge Herrera, Nicholas J. Bryan, Luke Dahl, Ge Wang:
Evolving The Mobile Phone Orchestra. NIME 2010: 82-87 - [c2]Luke Dahl, Ge Wang:
Sound Bounce: Physical Metaphors in Designing Mobile Music Performance. NIME 2010: 178-181
2000 – 2009
- 2007
- [c1]Luke Dahl, Nathan Whetsell, John Van Stoecker:
The WaveSaw: A Flexible Instrument for Direct Timbral Manipulation. NIME 2007: 270-272
Coauthor Index
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