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2020 – today
- 2022
[c21]Anna Xambó, Visda Goudarzi:
The Mobile Audience as a Digital Musical Persona in Telematic Performance. NIME 2022- 2021
- [c20]Anna Xambó
, Gerard Roma, Sam Roig, Eduard Solaz:
Live Coding with the Cloud and a Virtual Agent. NIME 2021 - [i1]Anna Xambó:
Virtual Agents in Live Coding: A Short Review. CoRR abs/2106.14835 (2021) - 2020
- [c19]Anna Xambó, Gerard Roma:
Performing Audiences: Composition Strategies for Network Music using Mobile Phones. NIME 2020: 55-60
2010 – 2019
- 2019
- [c18]Anna Xambó, Sigurd Saue, Alexander Refsum Jensenius, Robin Støckert, Øyvind Brandtsegg:
NIME Prototyping in Teams: A Participatory Approach to Teaching Physical Computing. NIME 2019: 216-221 - 2018
- [j5]Anna Xambó, Alexander Lerch, Jason Freeman:
Music Information Retrieval in Live Coding: A Theoretical Framework. Comput. Music. J. 42(4): 9-25 (2018) - [j4]Young Suk Lee, Kazuhiro Jo, Anna Weisling, Anna Xambó, Léon McCarthy:
Demo hour. Interactions 25(5): 10-13 (2018) - [c17]Anna Xambó, Johan Pauwels, Gerard Roma, Mathieu Barthet, György Fazekas:
Jam with Jamendo: Querying a Large Music Collection by Chords from a Learner's Perspective. Audio Mostly Conference 2018: 30:1-30:7 - [c16]Anna Xambó:
Who Are the Women Authors in NIME?-Improving Gender Balance in NIME Research. NIME 2018: 174-177 - [c15]Anna Weisling, Anna Xambó, Ireti Olowe, Mathieu Barthet:
Surveying the Compositional and Performance Practices of Audiovisual Practitioners. NIME 2018: 344-345 - [c14]Anna Xambó, Gerard Roma, Alexander Lerch, Mathieu Barthet, György Fazekas:
Live Repurposing of Sounds: MIR Explorations with Personal and Crowdsourced Databases. NIME 2018: 364-369 - [c13]Sophie Skach, Anna Xambó, Luca Turchet, Ariane Stolfi, Rebecca Stewart, Mathieu Barthet:
Embodied Interactions with E-Textiles and the Internet of Sounds for Performing Arts. TEI 2018: 80-87 - [c12]Anna Weisling, Anna Xambó:
Beacon: Exploring Physicality in Digital Performance. TEI 2018: 586-591 - 2017
- [j3]Anna Xambó, Eva Hornecker, Paul Marshall, Sergi Jordà, Chris Dobbyn, Robin C. Laney:
Exploring Social Interaction With a Tangible Music Interface. Interact. Comput. 29(2): 248-270 (2017) - [c11]Anna Xambó, Pratik Shah, Gerard Roma, Jason Freeman, Brian Magerko:
Turn-Taking and Chatting in Collaborative Music Live Coding. Audio Mostly Conference 2017: 24:1-24:5 - [c10]Gerard Roma, Anna Xambó, Jason Freeman:
Handwaving: Gesture Recognition for Participatory Mobile Music. Audio Mostly Conference 2017: 26:1-26:7 - [c9]Anna Xambó, Brigid Drozda, Anna Weisling, Brian Magerko, Marc Huet, Travis Gasque, Jason Freeman:
Experience and Ownership with a Tangible Computational Music Installation for Informal Learning. TEI 2017: 351-360 - 2015
- [b1]Anna Xambó:
Tabletop tangible interfaces for music performance : design and evaluation. Open University, Milton Keynes, UK, 2015 - 2014
- [c8]Anna Xambó, Carey Jewitt, Sara Price:
Towards an integrated methodological framework for understanding embodiment in HCI. CHI Extended Abstracts 2014: 1411-1416 - [c7]Anna Xambó, Gerard Roma, Robin C. Laney, Chris Dobbyn, Sergi Jordà:
SoundXY4: Supporting Tabletop Collaboration and Awareness with Ambisonics Spatialisation. NIME 2014: 40-45 - 2013
- [j2]Dmitry Bogdanov, Martín Haro, Ferdinand Fuhrmann, Anna Xambó, Emilia Gómez, Perfecto Herrera:
Semantic audio content-based music recommendation and visualization based on user preference examples. Inf. Process. Manag. 49(1): 13-33 (2013) - [j1]Anna Xambó, Eva Hornecker, Paul Marshall, Sergi Jordà, Chris Dobbyn, Robin C. Laney:
Let's jam the reactable: Peer learning during musical improvisation with a tabletop tangible interface. ACM Trans. Comput. Hum. Interact. 20(6): 36:1-36:34 (2013) - [p1]Anna Xambó, Robin C. Laney, Chris Dobbyn, Sergi Jordà:
Video Analysis for Evaluating Music Interaction: Musical Tabletops. Music and Human-Computer Interaction 2013: 241-258 - 2011
- [c6]Dmitry Bogdanov, Martín Haro, Ferdinand Fuhrmann, Anna Xambó, Emilia Gómez, Perfecto Herrera:
A content-based system for music recommendation and visualization of user preferences working on semantic notions. CBMI 2011: 249-252 - [c5]Anna Xambó, Robin C. Laney, Chris Dobbyn, Sergi Jordà:
Multi-touch interaction principles for collaborative real-time music activities: towards a pattern language. ICMC 2011 - [c4]Andrew J. Milne, Anna Xambó, Robin C. Laney, David B. Sharp, Anthony Prechtl, Simon Holland:
Hex Player - A Virtual Musical Controller. NIME 2011: 244-247 - [c3]Anna Xambó, Robin C. Laney, Chris Dobbyn:
TOUCHtr4ck: democratic collaborative music. TEI 2011: 309-312 - 2010
- [c2]Martín Haro, Anna Xambó, Ferdinand Fuhrmann, Dmitry Bogdanov, Emilia Gómez, Perfecto Herrera:
The Musical Avatar: a visualization of musical preferences by means of audio content description. Audio Mostly Conference 2010: 14
2000 – 2009
- 2008
- [c1]Gerard Roma, Anna Xambó:
A Tabletop Waveform Editor for Live Performance. NIME 2008: 249-252
Coauthor Index
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