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Publication search results
found 32 matches
- 2024
- Alice Rixte:
LiveScaler: Live control of the harmony of an electronic music track. CoRR abs/2401.08181 (2024) - 2022
- Mary Mainsbridge:
Feeling movement in live electronic music: An embodied autoethnography. MOCO 2022: 13:1-13:7 - 2019
- Luca Turchet, Mathieu Barthet:
Haptification of performer's control gestures in live electronic music performance. Audio Mostly Conference 2019: 244-247 - 2018
- Lauren Hayes:
Live Electronic Music Performance: Embodied and Enactive Approaches. MOCO 2018: 52:1-52:3 - 2017
- Aaron Einbond:
Mapping the Klangdom Live: Cartographies for Piano with Two Performers and Electronics. Comput. Music. J. 41(1): 61-75 (2017) - Nuno N. Correia, Deborah Castro, Atau Tanaka:
The Role of Live Visuals in Audience Understanding of Electronic Music Performances. Audio Mostly Conference 2017: 29:1-29:8 - Ryan Kirkbride:
Cooperative Live Coding of Electronic Music with Troop. ECSCW Panels, Demos and Posters 2017 - 2016
- Guillaume Boutard:
Co-construction of meaning, creative processes and digital curation: The transmission of music with live electronics. J. Documentation 72(4): 755-780 (2016) - Laurens van der Wee MMus, Roel van Doorn MA, Jos Zwaanenburg:
Reconstructing AnthèMES 2: Addressing the Performability of Live-Electronic Music. ICMC 2016 - Mehmet Aydin Baytas, Tilbe Göksun, Oguzhan Özcan:
The Perception of Live-sequenced Electronic Music via Hearing and Sight. NIME 2016: 194-199 - Chien-Wen Cheng:
Interactive Music System Design for Acoustic Instrument and Live Electronic Performance. SOSE 2016: 283-288 - 2015
- Mónica López-González:
Cognitive psychology meets art: exploring creativity, language, and emotion through live musical improvisation in film and theatre. Human Vision and Electronic Imaging 2015: 939403 - 2014
- André V. Perrotta, Flo Menezes, Luis Gustavo Martins:
Modelling the live-electronics in electroacoustic music using particle systems. ICMC 2014 - Timothy J. Barraclough, Jim W. Murphy, Ajay Kapur:
New Open-Source Interfaces for Group Based Participatory Performance of Live Electronic Music. NIME 2014: 155-158 - Nick Collins, Alex McLean:
Algorave: A Survey of the History, Aesthetics and Technology of Live Performance of Algorithmic Electronic Dance Music. NIME 2014: 355-358 - 2012
- Amy Alexander, Nick Collins:
Live audiovisuals. The Cambridge Companion to Electronic Music 2012: 126-139 - Nicolas Collins:
Live electronic music. The Cambridge Companion to Electronic Music 2012: 38-54 - Sergi Jordà:
Interactivity and live computer music. The Cambridge Companion to Electronic Music 2012: 89-106 - 2011
- Tychonas Michailidis, Sebastian Berweck:
Tactile Feedback Tool: approaching the foot pedal problem in live electronic music. ICMC 2011 - Jamie Bullock, Daniel Beattie, Jerome Turner:
Integra Live: a New Graphical User Interface for Live Electronic Music. NIME 2011: 387-392 - 2009
- Jamie Bullock, Lamberto Coccioli:
Towards a Humane Graphical User Interface for Live Electronic Music. NIME 2009: 266-267 - Sarah Keith:
Controlling Live Generative Electronic Music with Deviate. NIME 2009: 54-55 - 2008
- Arne Eigenfeldt:
International Computer Music Conference 2007: Live Electronics. Comput. Music. J. 32(1): 91-94 (2008) - Alain Bonardi, Jérôme Barthélemy:
The preservation, emulation, migration, and virtualization of live electronics for performing arts: An overview of musical and technical issues. ACM Journal on Computing and Cultural Heritage 1(1): 6:1-6:16 (2008) - 2006
- Michel Waisvisz:
Manager or Musician? - About virtuosity in live electronic music. NIME 2006: 415 - 2004
- Matthew Duignan, James Noble, Pippin Barr, Robert Biddle:
Metaphors for Electronic Music Production in Reason and Live. APCHI 2004: 111-120 - Michael Eyal Sharon:
The Stranglophone: Enhancing Expressiveness in Live Electronic Music. NIME 2004: 213-214 - 2003
- Francesco Giomi, Damiano Meacci, Kilian Schwoon:
Live Electronics in Luciano Berio's Music. Comput. Music. J. 27(2): 30-46 (2003) - 2002
- Bill Perison:
Ableton Live Sequencing Instrument, Version 1.5 US$ 299.95; available from Ableton AG, Schönhauser Allee 6-7, D-10119 Berlin, Germany; telephone (+49) 30-288-763-0; fax (+49) 30-288-763-11; electronic mail contact@ableton.com; Web www.ableton.com/. Comput. Music. J. 26(4): 109-112 (2002) - David Bernard:
Experimental Controllers for Live Electronic Music Performance (vs.Copyright). NIME 2002: 189
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retrieved on 2024-06-16 11:18 CEST from data curated by the dblp team
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